At 4.6 billion years old, the Solar System is our solid, secure home in the Universe. But how did it come to be? In this episode we trace the system's birth from a thin cloud of dust and gas. Shocked by a nearby supernova, the pull of gravity and natural rotation spun it into a flat disc from which the Sun and planets coalesced. It all happened in the space of 700 million years, during which the planets jockeyed for position, dodging the brutal bombardment of deadly asteroids and setting into the neat, stable system that we now realize might be a rarity in the universe.
A documentary film comprising of 26 interviews with students who are LGBTQIA+ and who go to L'Anse Creuse High School. The film is the first feature-length film by and about queer youth. The film was made to combat recent anti-trans laws.
No one really knows the exact details of Special Action 1005. How many people were killed by the Nazis in the rear of the Eastern Front between 1942 and 1944? There were at least tens of thousands. This is the story of how the criminals covered up the traces of their clumsy and savage crimes.
Based on the novel of the same name by Leonid Leonov. Young Polya comes to Moscow: she wants to find her father, Professor Vikhrov, and try to understand why her mother broke up with him. Vikhrov is a prominent scientist who has defended the forest from barbaric destruction all his life. The war begins. Professor Vikhrov continues to lecture, proving to students the need to protect the forest. Polya is trying to find out the reasons for the long-standing feud between her father and academician Gratsianskiy. Now, when Vikhrov is already not young and lonely, the professor mentally returns to the past...
The film illustrates individual episodes showing the life of Alexander Pushkin. The script is based on the testimonies of contemporaries, as well as on poems, drawings, and letters of the poet.
The story of the WWI poets Siegfried Sassoon, Wilfred Owen and Robert Graves, using their diaries and letters to tell the inside story of the war in their own words.
This story first takes you to Misslimeri, a little Sicilian village, and into the home of Don Ruggero, a wealthy landowner. Don Ruggero is an iron-hearted man and strongly prejudiced against the lower classes. His son, Corrado, a young fellow, loves Rosalia, a shepherdess, but Don Ruggero has always refused to allow their marriage and to recognize little Vincenzino, their child, as his grandchild. Finally to destroy all Corrado's hopes, he discharges poor Rosalia from his farm, where she had been employed for many years. Even the sight of her departure with Vincenzino in her arms does not soften him. Rosalia is the very ideal of the Sicilian beauty, and Capt. Altieri, an officer in the service of the Dominators, the Bourbons, admires her immensely, but all his approaches are strongly repulsed by her. Don Ruggero and his son have for a long time conspired to free their motherland from the hands of the Bourbons, and when they receive news of the arrival of Garibaldi.
A documentary film showcasing the ascension of the state of Virginia from its rank of 51st worst state for labor unions, to 23rd, in a matter of just three years.
The film depicts the life of Charles XII of Sweden who oversaw the expansion of the Swedish Empire until its defeat at the Battle of Poltava. It was the most expensive production in Swedish history when it was made, and inspired a string of large budget Swedish historical films
The memory of a particular moment in early 20th century history when, in 1913, Helen Keller (1880-1968), a deaf-blind writer, lecturer and political activist, spoke, for the first time and in public, about socialism and progressive causes.
Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.