Cleve Marshall, an assistant district attorney, falls for Thelma Jordon, a mysterious woman with a troubled past. When Thelma becomes a suspect in her aunt's murder, Cleve tries to clear her name.
Writing | Marty Holland | Story |
Camera | George Barnes | Director of Photography |
Sound | Victor Young | Original Music Composer |
Production | Hal B. Wallis | Producer |
Directing | Robert Siodmak | Director |
Writing | Ketti Frings | Screenplay |
Directing | Francisco Day | Assistant Director |
Art | Sam Comer | Set Decoration |
Art | Arthur Camp | Props |
Camera | John F. Warren | Camera Operator |
Sound | Van Cleave | Orchestrator |
Directing | Irving H. Cooper | Script Supervisor |
Crew | Gordon Jennings | Special Effects |
Production | Curtis Mick | Production Manager |
Sound | Leo Shuken | Orchestrator |
Costume & Make-Up | Joe Stinton | Makeup Artist |
Sound | M.A. Boyce | Sound Recordist |
Costume & Make-Up | Robert Ewing | Makeup Artist |
Lighting | Howard Kelly | Gaffer |
Art | Bertram C. Granger | Set Decoration |
Costume & Make-Up | Wally Westmore | Makeup Supervisor |
Sound | Sidney Cutner | Orchestrator |
Art | Harold Worthington | Props |
Art | Hans Dreier | Art Direction |
Camera | Mal Bulloch | Still Photographer |
Camera | Darrell Turnmire | Grip |
Crew | Atus P. Reuther | Technical Advisor |
Sound | Harry Lindgren | Sound Recordist |
Costume & Make-Up | Dorothy Cole | Hairstylist |
Sound | Leonid Raab | Orchestrator |
Sound | Walter Oberst | Sound Recordist |
Camera | Doug Turnmire | Grip |
Editing | Warren Low | Supervising Editor |
Sound | George Parrish | Orchestrator |
Art | A. Earl Hedrick | Art Direction |
Visual Effects | Farciot Edouart | Visual Effects |
Directing | Irving Cooper | Script Supervisor |
Costume & Make-Up | Edith Head | Costume Design |