In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
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| Directing | Alfred Hitchcock | Director |
| Production | Alfred Hitchcock | Producer |
| Sound | Roy Webb | Original Music Composer |
| Camera | Ted Tetzlaff | Director of Photography |
| Editing | Theron Warth | Editor |
| Art | Carroll Clark | Art Direction |
| Art | Albert S. D'Agostino | Art Direction |
| Costume & Make-Up | Edith Head | Costume Design |
| Costume & Make-Up | Mel Berns | Makeup Artist |
| Crew | Paul Eagler | Special Effects |
| Crew | Vernon L. Walker | Special Effects |
| Production | Barbara Keon | Producer |
| Art | Claude E. Carpenter | Set Decoration |
| Art | Darrell Silvera | Set Decoration |
| Directing | William Dorfman | Assistant Director |
| Sound | Terry Kellum | Sound |
| Sound | John E. Tribby | Sound |
| Sound | Clem Portman | Sound Re-Recording Mixer |
| Sound | C. Bakaleinikoff | Music Director |
| Sound | Gil Grau | Orchestrator |
| Crew | Sam Lufkin | Stand In |
| Camera | Gregg Toland | Second Unit Director of Photography |
| Writing | John Taintor Foote | Story |
| Crew | Alfred Hitchcock | Additional Writing |
| Crew | Clifford Odets | Additional Writing |
| Writing | Ben Hecht | Writer |
