Grace, daughter of Jim Williams, a ranch owner, and Tom Martin, a Texas ranger, love one another. Buck Miller is the disappointed rival in love. Buck swears vengeance and plans with Delgado, a Mexican outlaw, to capture Grace and her father and hold them for Grace makes her escape and tells Tom and his pals of the outlaws' action.
Rangers Tex Haines and Dave Wyatt track a killer known as the Whispering Skull. In the wake of the Skull's slaughter, a band of thieves takes advantage of the fear he's brought to town.
After a work crew stringing telegraph wires across the Great Plains is slaughtered by Indians, Pat O'Leary, the company superintendent, must take out another supply train to make the dangerous trip across open country. The Indians attack and are driven off. On the day the wires are finally strung, the settlers gather to hear the first message from the East.
Bill Hollister (Jack Hanlon) organizes a wagon train to break the unfair monopoly held by Jake Lynch (Tom Santschi) on food prices in the mining camps. The Rambler (Ken Maynard) joins the train when it leaves for Gold Hill, and takes command when Hollister is killed from ambush. Jacques Frazelle (Al Ferguson) schemes to get rid of The Rambler and win Sue Smith (Edith Roberts). He plots with Lynch to disrupt the train, but The Rambler beats him in a whip-fight...
A cowboy hears rumors that an old friend who once headed a criminal gang and had since gone straight is now back on the wrong side of the law. He goes to investigate.
A range boss learns to imitate the hiss of a rattlesnake for humorous purposes, but has occasion to employ this accomplishment with more dramatic effect when seeking to rescue the heroine from some bandits.
Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.
A young Texas Man who saw his father get killed by a group of bandits, decides years later to go to work for the Pony Express. But he is not just working around the country to deliver mail, he is actually finding the bandits who murdered his father.
A group of ranchers, led by Colonel Arnold and Ward Gordon, are drilling an oil well but getting fierce opposition from an unknown gang of outlaws. Eastern promoter J.B."Dude" Dawson, is behind the gang as he is out to prevent the co-op members from striking oil before their lease expires, so he can secure the property for his company. When Ward, with the help of Arnold and his daughter Sally, arranges for a new driller to be brought in, the replacement man is killed and one of Dawson's men takes his place.
This animated precursor to music videos was made on commission for the American company Rembrandt Films. It illustrates an American folk song of the Old West.
The Earp sisters and Doc Holliday resolve to eliminate the Clanton Gang problem in the only way they know how at the OK Corral, in this female re-imagining of the Gunfight at the OK Corral.
A child picked up on the desert by the cowboy hero is brought to town on the eve of prohibition enforcement. The child is put to bed and is laboring with the Lord's prayer when he sticks at "kingdom come." The cowboy goes into the saloon and asks if anyone there knows what comes after "kingdom come." He is greeted with much laughter and no information. A dancer who turns out to be the mother of the child, which has been living with its grandfather, repeats the words of the prayer, and the child goes to sleep in peace. A romance between the cowboy and the dancer develops.
