Fuzzy's niece is killed in a stagecoach hold-up. Billy and Fuzzy quickly learn that the culprit, who not only killed all the passengers but also absconded with $40,000, may be holed up in lawless Pecos City.
An American army officer, Kenneth Holbert, is after a Mexican bandit, El Zorro, who he doesn't know is his long-lost twin brother. Dorothy Holbert has a hard time figuring out which is which, especially since Romanian native Renaldo uses the same accent for both brothers.
The story is motivated by a long-standing feud, which comes to a head when each of the warring families tries to adopt an orphan girl who is about to receive a huge inheritance.
In Kansas Terrors, Stoney and his saddle pal Rusty take a job delivering horses to a flyspeck Caribbean island. Here they join forces with Rico to topple the regime of a despotic commandante.
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."
Documentation of the encroachment of European settlers upon Native American lands and the violent reaction of the Indians in their struggle to survive.
Tom Kenyon and his sidekick Pierre La Farge are hired by rancher Mike O'Day who, with his daughters Toni and Sugar, provides wild horses for the government remount station.
Daggett is out to stop the completion of an oil well. He cheats Foster at poker and then forces him to delay the drilling. But the Mesquiteers are on the job with Lulaby posing as a cleaning lady to get evidence.
This audaciously dishonest spaghetti western from prolific director Demofilo Fidani (using the pseudonym "Lucky Dickerson") was created piecemeal using lengthy sequences from Fidani's previous films. The premise has legendary gunslinger Django (Hunt Powers) recounting some of his greatest adventures to a rapt Wild Bill Hickock (Gerardo Rossi as Jerry Ross) in a saloon. The stories which Django tells are entire scenes from such Fidani films as Arrivano Django e Sartana... E la Fine! (1970), Inginocchiati Straniero... i Cadaveri non Fanno Ombra (1971), and Quel Maledetto Giorno d'Inverno Django e Sartana... all'Ultimo Sangue (1971). Fidani regulars Gordon Mitchell, Dennis Colt and Lucky McMurray also appear.
The only key to a young woman's fortune lies in a marking on the leg of a horse called The Ghost of the Gauchos. But the woman's guardian, her uncle, plots to steal her wealth.
Two con-men from the East come out West to join up with Avery. They plan to steal the Lopez diamond from Don Lopez. With the drought, Lopez has sold all of his other jewels for gold so that he can take his people to a better place to live and work. Dean and Soapy try to protect Lopez, but Avery and his gang steal the gold and look forward to stealing the diamond necklace. When Maria offers to become partners with Barrit, it looks bad for Lopez.
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
In 1836, a small band of soldiers sacrifice their lives in hopeless combat against a massive army in order to prevent a tyrant from smashing the new Republic of Texas.
A notorious arrives in Sunrise and turns in his gun and promises to avoid trouble. But when robbers shoot his good friend, he straps on his gun again and takes off in pursuit.
After Burton kills Dad Mason and makes it look like a suicide, Ace Cooper arrives to investigate. He poses as a coward during the day but at night he becomes the daring Dude Bandit.
