The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.
Stanislaw Marusarz, a well-known Polish jumper, including: the 1938 world vice-champion in Lahti, four-time Olympian, seven-time participant in the ski world championships, as well as a second lieutenant of the Home Army, a Tatra courier. From the first months of the occupation, he was active in the underground as a courier of the Underground State to Hungary. In 1940, he jumped from the second floor and escaped from the Gestapo prison in Krakow. After the war, he was one of the longest active ski jumping athletes in the world. Marusarz became the guest of honor at the 4-Hills-Tournament in the 1965-66 season. He stood on the famous Gross-Titlis-Schanze at the age of 53 - his jump in a suit and tie has made his legacy. Marusarz's spectacular jump in a suit during the Four Hills Tournament '66 became a pretext to tell his fate, as well as the story of his sister Helena - a talented skier, participant of the Resistance Movement, murdered by the Nazis in 1941.
Analytical view of one of the least reported conflicts of national cinema: the Cristero movement that developed in the regions of western Mexico between 1926 and 1929, highlighting the inability to be faithful to both the Church and the State.
A propaganda film made while Latvia was occupied by Nazi Germany in the 1940s. A party of a wealthy socialite is disrupted by a friend's friend who's come along and turns out to be a soldier. The socialite starts wondering whether she could lend a hand to the war effort.
Explorer, colonizer, founder of Québec, discoverer of Lake Champlain, governor of New France, cartographer and writer--few men in Canadian history had a more adventurous and varied career than Champlain. This film presents an exciting picture-study of the man and his time.
Produced and directed this documentary for BBC in the 1980’s, about David Gulpilil, acclaimed Australian Aboriginal actor, dancer and musician. The film shows how Gulpilil is always working to bridge the gap between the tribal Aboriginal and Western worlds. He divides his time between a traditional tribal lifestyle and his artistic work, which has included major film roles, collaboration with contemporary dance and music groups and teaching Aboriginal dance and culture. Bill and David travel to Hollywood where David was the most popular Australian in the world at that time, with FOUR films playing in America – WALKABOUT, STORM BOY, THE LAST WAVE and MAD DOG MORGAN. After relating to both the black and native American cultures and filming a quick scene for a big Hollywood picture, he pines to head back through the Outback to his beloved Arnhem Land. Edited by Simon Dibbs and shot by Ray Henman.
Set in colonial Brazil, the love story between a Brazilian man and a Portuguese-born dame sets fire to a political movement which brought freedom and democracy in Brazil for the very first time.
During the French Revolution in 1793, a member of the Convention, seduced by the Comtesse de Beaulieu, helps her to discover the truth about the relationship between Agnès de Fitz-James and the count who was guillotined.
At the end of the Second World War, when the German army retreated from Latvia, it also took along 700 boxes of materials from Latvian museums. If not for a young woman named Mērija Grīnberga, the exhibition halls of many museums in Latvia would be empty today. Grīnberga was the only volunteer who in 1944 went along with the train carrying the treasures of Latvian art in order to return with them back to Riga. The German occupying forces tried to take them away; the Soviet occupation forces brought them back; Mērija completed her duty. As gratitude for her journey, Mērija was sacked from her job at the museum and incessantly viewed with suspicion.
El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.
China, the “Middle Kingdom,” has long been thought to have developed independently from the West. Mighty mountains and the inhospitable Taklamakan formed insurmountable barriers. But the belief in China’s isolation has been challenged by surprising discoveries. Mummies from the Bronze Age are turning this assumption upside down and recasting the cultural relationship between east and west.
