A sound is heard from the depth of the soil as the archeological exploration of the Shahre Sukhte goes on. While following the archeologists to document the explorations, the film in parallel seeks out the sound coming from the depths of the soil and steps deep in history to accompany the ancient citizens of the city. The film depicts the wonderful city of “Shahre Sukhte” (The Burnt City) in Zabol in Iran, which was home to one of the highest civilizations at the dawn of history lasting for over 1400 years. In this city was no central government or leadership in Shahr-e-Sukhte. The government was administered by a group that was matriarchal, meaning that power was in the hands of women. It may be for this reason that we witness no trace of violence and war in this city. Something that the world today desperately needs.
When Vivienne, a spirited young writer born of wealth, meets Henri, a young farmhand with nothing but the shirt on his back, these star-crossed lovers must face her family, societal norms and the inescapable grips of war.
At the height of the Watergate scandal on April 30, 1973, President Richard Nixon delivered his first major speech broadcast live from the White House, addressing the charges being made against his Presidency. Produced by Dimitri Devyatkin, with Walter Wright on synthesizer, the video is an overlay of mesmerizing computerized animations that reflect upon the speech.
Mother India is home to many castes, tribes and religions and one common factor that brings this diverse country all together is Jewelry. Come explore the deep history and culture of the jewelry of India dating back more than 5000 years. As we explore the history we also take you into Bangalore, India and talk to local Jewelry Stores and Jewelry Artisans as they share their stories and their family history of their involvement in jewelry going far back into their family ancestry.
First of the Man And the State series, dramatizing the character of Socrates in the context of his 339 B.C. trial, posing questions about if the state has the right to silence individuals.
Biographical film of the most dramatic period in the life of the famous Ukrainian writer Ostap Vyshnya, who in the 1930s was repressed by the Russian authorities and exiled to Siberia. Faithful wife and assistant Varvara Maslyuchenko shared his fate and followed her husband into exile.
A captivating retelling of the story of Jesus through the eyes of children who might have encountered Him. Follow the lives of Benjamin, Caleb, Sarah, Joel, Leah, and Nathan, living in Jerusalem about 30 A.D. They hear stories of the Man from Nazareth who heals the sick and raises the dead. They struggle to make sense of it all - some from families who believe Jesus is the Son of God, others from families who do not. They watch Jesus from the crowds. They follow Him to see what this incredible Man, who loves children, will do next. They see Him betrayed, wrongly accused, crucified and buried. But they remember the promise of Jesus and believe they will see Him again.
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron
Adele Spitzeder, an actress of medium talent, finds the role of her life as a dazzling financial genius, but in truth the operator of a gigantic pyramid scheme. With a brilliant appearance and empty promises, she serves the hopes and greed of her fellow human beings with virtuosity. With the help of a never-ending stream of money, she buys her way out of situations that would have landed others in prison long ago. Her enemies are just waiting for the pyramid to collapse and bury Adele - and countless small investors with her.
Manjunatha, an atheist, fights against social evils. He marries Kathyayini, a staunch devotee of Lord Shiva. As the days go by, Manjunatha realizes the existence of God.
Female Empowerment Documentary on the Contemporary Pinup Lifestyle & The Miss Viva Las Vegas Pinup Contest - 'Celebrating every woman's right to total body acceptance, to be self-confident and to be gorgeous!'
Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.
Man in the Arena is a feature-length documentary film exploring the life and accomplishments of media icon and political strategist Roger Ailes. Long before founding FOX News, Roger Ailes was an Emmy Award winning producer, director, documentarian, sought-after corporate consultant, and top political strategist. Many know of Ailes and his association with FOX, but few know how he got there, his work electing three presidents, or his pioneering mastery of television production and broadcasting.
An examination of the paranoia, cold-bloodedness, and sadism of two of the 20th century's most brutal dictators and mass murderers: Adolf Hitler and Joseph Stalin.
