From the success of Herb Alpert & The Tijuana Brass, through the founding of A&M Records, to giving away more than $150 million to arts and education programs across the country, we’ll witness the humanity and the humility inherent in everything he does, as well as come to understand the power of creativity to entertain, inspire, heal and transform.
In mid-19th Century Korea, the people of Joseon Dynasty embrace the new religion Donghak. After the founder is executed, Choi Si-hyeong becomes Donghak’s second-generation leader and successfully propagates the religion, but in doing so becomes the object of oppression by the royal court.
In the final years of World War I a retired German field medic is sent to a remote sanatorium for soldiers suffering from post-traumatic mental disorders. There he encounters a strange, dreamlike state of existence that challenges his own war-torn mind.
Thom Andersen's remarkable and sadly neglected hour-long documentary adroitly combines biography, history, film theory, and philosophical reflection. Muybridge's photographic studies of animal locomotion in the 1870s were a major forerunner of movies; even more interesting are his subsequent studies of diverse people, photographed against neutral backgrounds.
After Jeanette becomes the mistress of the ambitious Jean du Barry, he marries her off to one of his cousins so that she has an entre to the royal court. She soon becomes the favorite of the King and Jean du Barry becomes a regular around the court too. But all this is disturbed when Madame du Barry falls for Conte Brissac of the King's Guard. Jean du Barry's attempts to expose her affair only get him banished from the court.
Northern Uganda, 1999. War has raged for thirteen years. Thousands are killed, millions are displaced, and everyone is starving. Set in the heart of this turmoil, four UN workers must embark on a frantic food delivery to a mass of desperate villagers. But when the militia strike and the situation explodes, these men will face impossible choices to keep everyone alive.
National-Socialist propaganda film that serves to memorialize one of the early representatives of colonialism: the German philologist Carl Peters. He is, at the end of the 1900′s, a noted advocate of the establishment of a German colony. Without support from Germany, he struggles on his own account against the English in East Africa. Later he is named Reichskommissar and promotes the expansion of a German colony. But Jewish and Social-Democrat opponents order him back to Germany and force him to resign.
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
Meera, a devotee of Lord Krishna, believes she is married to the lord and rejects her marriage to a Rajput prince. However, her spirituality leads her to face many hardships.
The film was shot entirely in a nightclub, with an adjoining contemporary art gallery, whose customers are both Israelis and Palestinians, in one of Israel’s most open cities, Haifa. A long night in a place where the most diverse people meet: Jews, Muslims, gays, heterosexuals, transvestites; and three women, who in that multifaceted microcosm, a gathering peaceful hideout, can find shelter from male bullying and arrogance.
This film was made by the Japanese occupation authorities in the Philippines as a propaganda film to show the Philippine people the "benefits" of the Japanese invasion and takeover of their country.
The story of the influential 19th century British poet Dante Gabriel Rossetti and his troubled and somewhat morbid relationship with his wife and his art.
