Aleksey Kozlov is interested in drifting and decides to build a drift car from an old rare Toyota Cresta car from 1987 with body number JZX-71 (hence the name of the film). This is a story about a simple guy who lives in Kamchatka, where there is still no infrastructure for training, where there is snow on the road 9 months a year, but he dreams of competing in the most prestigious race in Russia RDS-GP, where top pilots compete with each other from all over the world.
As Sicilian journalist Giuseppe Quatriglio turns 90, his daughter starts filming him. When he dies, she keeps on filming. Boxes become archival materials, as journeys, women and post-war Europe come to the fore. And in the end, there is a father.
A young champion cyclist dies of a heart condition: we try to make sense of it through his friends and family (many of whom are top athletes themselves) and a tough 24 hour mountain bike race, which his dad is trying to win in his honour.
Sensus Communis: The circumstances of the artists associated with their workshops are very diverse. At a time when it is difficult to occupy even a square meter of residential space due to unequal economic and social conditions, artists who own or rent studios to produce art have continued to walk a tightrope between thought and reality. How is it possible to do what you want? Depending on the type of work and socio-economic conditions, the occupation method, space size and use are very different. - Studio Score: Artists experience physical and movement perception in space and time, right in the studio. The place is used, the body is treated as an important element and the boundary between art and life is broken, leading to new aesthetic experiences.
The chicken gets cold on Manuel's plate. India talks with food in her mouth. At some point, they walked hand in hand, they thought they were going to spend their lives together. Six years without seeing each other and now they are at the same table, alone.
A young man reflects on his evangelical past imposed by his father when he begins to frequent an Adventist church in Cuba. The young man's existential resonances have repercussions on the fragile reality that this film essay attempts to construct.
When a group of friends travel up to Payson, Arizona to hangout at their friends vacation home, they encounter a creature that resides in the forest, and is out to take their lives. They must work together in order to escape the night and evade the beast known as the Mogollon Monster.
