Will you still remember me when I leave this world? A group of ordinary elderly people who have reached the end of their lives, in order to prove their old age and achievements, they come together to do something so that we can remember them for a longer time. They never met in the first half of their lives, with different professions and life trajectories, but for the same purpose, they formed the oldest men's relay team in China to participate in the world's top veteran athletics championship and ultimately broke the world record!
Knowing they're always the first ones to die as per the cliché horror movie formula, two black characters decide to reject their fate and rebel against the script. They must outwit the serial killer and escape the theatre in order to survive, but the film has other plans.
A husband loses his wife – she throws herself out of a window. He tries to realize what has happened, to comprehend the whole situation and recall all the details of their life.
Winter, in a small town of California, a Chinese American teenage girl, Jasmine (17), gets pregnant and wants to keep the baby, while her mother, Yan (35), insists on having an abortion.
Infirmus follows Jess and Ian, a young couple on the night of their breakup. After the split, the couple navigate the end of their relationship as they begin to untether from the life they had built together. Despondent and reflective, Infirmus sheds light on the difficult stages that follow a breakup
During a date with Alex, Omar seems a bit disconnected. A game with Alex triggers him to explode and talk about everything he has experienced as an immigrant.
Filmed onsite at King County Recology’s Material Recovery Facility in Seattle during a four-month stint as artist in residence. The MRF is a curiosity: a site ripe for anthropological digs, offering a continual parade of infinitely mucky, diverse, commingled materials that form a collective portrait of desire, consumption, and willful forgetting. Along the route of the behemoth sorting machine, where humans pick out contaminants by hand, there is a place where paper waste is shuffled along: faded family photos, handwritten homework, Valentines and love letters, postcards and pornography. This film is about one such thing.
This cinepoem explores code-switching, cultural humility, and hidden complexities that lay behind simple stories of joy, trauma, and wonder rooted in the perpetual summer of Houston, as seen by one born here and by one who fled to here from atrocities in her wintry native land.
An encounter between a poet and a man who runs a grocery store in Sweden results in a poem about sacrifice, when family life and work life are woven together.
