As far as the rest of the world is concerned, mill heiress Deborah Chandler Clark is dead, killed in a freak auto accident. But Deborah is alive, if not too well. Having discovered a horrible truth about her new husband, Deborah is now a “woman in hiding,” living in mortal fear that someday her husband will catch up with her again. When a returning GI recognizes Deborah, however, she must decide whether or not she can trust him.
Production | Michael Kraike | Producer |
Writing | Oscar Saul | Screenplay |
Directing | Michael Gordon | Director |
Camera | William H. Daniels | Director of Photography |
Writing | Roy Huggins | Adaptation |
Editing | Milton Carruth | Editor |
Art | Robert Clatworthy | Art Direction |
Art | Russell A. Gausman | Set Decoration |
Sound | Milton Schwarzwald | Music Director |
Sound | Robert Pritchard | Sound |
Writing | James Webb | Original Story |
Costume & Make-Up | Orry-Kelly | Costume Design |
Art | Ruby R. Levitt | Set Decoration |
Art | Bernard Herzbrun | Art Direction |
Costume & Make-Up | Joan St. Oegger | Hairstylist |
Costume & Make-Up | Bud Westmore | Makeup Artist |
Sound | Leslie I. Carey | Sound |
Visual Effects | David S. Horsley | Visual Effects |
Costume & Make-Up | Del Armstrong | Makeup Artist |
Costume & Make-Up | John G. Holden | Makeup Artist |
Costume & Make-Up | Helen Turpin | Hairstylist |
Directing | Frank Shaw | Assistant Director |
Camera | William Dodds | Camera Operator |