Years after his squad was ambushed during the Gulf War, Major Ben Marco finds himself having terrible nightmares. He begins to doubt that his fellow squad-mate Sergeant Raymond Shaw, now a vice-presidential candidate, is the hero he remembers him being. As Marco's doubts deepen, Shaw's political power grows, and, when Marco finds a mysterious implant embedded in his back, the memory of what really happened begins to return.
| Production | Peter Kohn | Associate Producer |
| Production | Scott Rudin | Producer |
| Sound | Chris Newman | Sound Mixer |
| Sound | Rachel Portman | Original Music Composer |
| Directing | Jonathan Demme | Director |
| Production | Jonathan Demme | Producer |
| Camera | Tak Fujimoto | Director of Photography |
| Editing | Craig McKay | Editor |
| Costume & Make-Up | Daisy Curbeon | Hairstylist |
| Sound | Dan Korintus | Dialogue Editor |
| Sound | David Boulton | ADR Mixer |
| Art | Leslie E. Rollins | Set Decoration |
| Editing | Carol Littleton | Editor |
| Costume & Make-Up | Albert Wolsky | Costume Design |
| Art | Kristi Zea | Production Design |
| Writing | Kalina Ivanov | Storyboard |
| Editing | Jim Passon | Color Timer |
| Production | Laura Rosenthal | Casting |
| Art | Randall Balsmeyer | Title Designer |
| Costume & Make-Up | Larry M. Cherry | Hair Designer |
| Writing | Richard Condon | Novel |
| Production | Scott Aversano | Executive Producer |
| Writing | Dean Georgaris | Screenplay |
| Crew | Danny Aiello III | Stunts |
| Production | Ilona Herzberg | Producer |
| Writing | Daniel Pyne | Screenplay |
| Production | Kathleen Chopin | Casting |
| Crew | Paul A. Levin | Post Production Supervisor |
| Sound | Marko A. Costanzo | Foley Artist |
| Sound | Lewis Goldstein | Sound Effects Editor |
| Production | Eric Zuckerman | Casting Associate |
| Crew | James Fanning | Transportation Captain |
| Camera | Cliff Fleming | Helicopter Camera |
| Crew | Cliff Fleming | Aerial Coordinator |
| Sound | Blake Leyh | Sound Designer |
| Production | Lars Knudsen | Assistant Production Coordinator |
| Directing | Doug Coleman | Second Unit Director |
| Sound | Suzana Peric | Music Editor |
| Crew | Brian Keith Allen | Stunt Double |
| Costume & Make-Up | Christopher Peterson | Assistant Costume Designer |
| Sound | Jeff Atmajian | Orchestrator |
| Camera | Craig Haagensen | Camera Operator |
| Writing | Mary Tobler | Script Editor |
| Sound | George A. Lara | Foley Mixer |
| Art | Robert Braun | Assistant Art Director |
| Crew | Joe Landauer | Visual Effects Editor |
| Production | Paul Deason | Unit Production Manager |
| Costume & Make-Up | Jane Choi | Assistant Makeup Artist |
| Lighting | Scott H. Ramsey | Gaffer |
| Directing | Arthur Anderson | Assistant Director |
| Crew | Jery Hewitt | Stunt Coordinator |
| Art | Teresa Carriker-Thayer | Art Direction |
| Crew | Todd Kleitsch | Makeup Effects |
| Production | Lois J. Drabkin | Casting Assistant |
| Lighting | Mark Schwentner | Rigging Gaffer |
| Directing | Eva Z. Cabrera | Script Supervisor |
| Sound | Steve F.B. Smith | Dolby Consultant |
| Camera | Pete Romano | Underwater Camera |
| Crew | Julie Kuehndorf | Unit Publicist |
| Camera | Andrew Casey | Steadicam Operator |
| Sound | Bob Chefalas | Additional Sound Re-Recording Mixer |
| Crew | Avi Das | CG Supervisor |
| Art | Ken Nelson | Construction Coordinator |
| Art | Dave Weinman | Leadman |
| Visual Effects | Richard Malzahn | Visual Effects Supervisor |
| Costume & Make-Up | Naomi Donne | Makeup Artist |
| Crew | Connie Brink | Special Effects Coordinator |
| Art | Robert Griffon Jr. | Property Master |
| Sound | Deborah Wallach | Supervising ADR Editor |
| Costume & Make-Up | Mary Jo McGrath | Wardrobe Supervisor |
| Sound | Derek Casari | ADR Engineer |
| Costume & Make-Up | Marta Font | Costumer |
| Crew | Stephen Barth | Scenic Artist |
| Camera | Stanley Fernandez Jr. | First Assistant Camera |
| Production | Polly Mallinson | Associate Producer |
| Production | Tina Sinatra | Producer |
| Production | Barbara Heller | Location Manager |
| Crew | Paul Damien | Carpenter |
| Sound | Paul Urmson | Supervising Sound Editor |
| Production | Betsy Alton | Production Coordinator |
| Art | Alyson Wellins | Art Department Coordinator |
| Production | Leonard John Bruno | Travel Coordinator |
| Camera | Ken Regan | Still Photographer |
| Sound | Rick Chefalas | First Assistant Sound Editor |
| Sound | Steven Visscher | Foley Supervisor |
| Camera | Markus Mentzer | Camera Loader |
| Editing | Kate Eales | Assistant Editor |
| Visual Effects | Susie Brubaker | Visual Effects Coordinator |
| Camera | Eli Aronoff | Second Assistant Camera |
| Crew | Cory Poccia | Production Intern |
| Visual Effects | Korey J. Cauchon | Visual Effects Producer |
| Production | Tim L. Pearson | Production Accountant |
| Costume & Make-Up | Rex Christensen | Set Dressing Artist |
| Production | Ann Gray | Post Production Coordinator |
| Lighting | Chris Drechsler | Electrician |
| Art | John Davis | Production Illustrator |
| Visual Effects | Heather Davis Baker | Digital Compositors |
| Editing | Donald Freeman | Colorist |
| Crew | Brian Carmichael | Video Assist Operator |
| Art | Bill Garvey | Location Scout |
| Costume & Make-Up | Debbie Lucas | Seamstress |
| Crew | Peter Damien | Propmaker |
| Camera | Ross Jones | Grip |
| Costume & Make-Up | Pashelle Clayton-Robinson | Set Costumer |
| Crew | Jerry Duplessis | Additional Music |
| Crew | Lauren Gale | Craft Service |
| Crew | Caquias Geoffrey | Driver |
| Crew | Jeff Symanski | Picture Car Coordinator |
| Crew | Leslie E. Witt | Set Medic |
| Crew | Don Baer | Transportation Co-Captain |
| Crew | Bret Kiene | Utility Stunts |
| Lighting | Ray Flynn | Best Boy Electric |
| Production | Sean Garrett Fogel | Production Supervisor |
| Production | Anthony S. Calypso | Researcher |
| Sound | Gregg Harris | Boom Operator |
| Sound | Michael Kosarin | Conductor |
| Crew | Cory Fleming | Pilot |
| Crew | Edward Drohan IV | Special Effects Technician |
| Crew | Calvin Brown | Stunts |
| Production | Dawn Bridgewater | Key Production Assistant |
| Writing | Narges Takesh | Story Editor |
| Sound | Carlie Bergman | ADR Recordist |
| Production | Karen Turner | Assistant Accountant |
| Art | Monica Fedrick | Graphic Designer |
| Production | Vanessa Merrill | Art Department Production Assistant |
| Camera | Jasper Johnson | Dolly Grip |
| Production | Jody Beaudin | First Assistant Accountant |
| Production | Joshua Loiko | Second Assistant Accountant |
| Directing | Maggie Murphy | Second Assistant Director |
| Costume & Make-Up | Nina Johnston | Key Set Costumer |
| Directing | Betsy Friedman | Additional Second Assistant Director |
| Directing | Matthew Sirianni | Second Second Assistant Director |
| Art | JoAnn Atwood | Assistant Property Master |
| Sound | Kenna Doeringer | ADR Editor |
| Sound | Mitch Wareham | Apprentice Sound Editor |
| Visual Effects | Kieran Woo | Visual Effects Production Manager |
| Camera | Tom Vulliez | Additional Grip |
| Camera | Jonathan G. Beck | Additional Second Assistant Camera |
| Camera | Kathleen Corgan | Assistant Camera |
| Camera | John-Anthony Gargiulo | Best Boy Grip |
| Production | Will Beekman | Assistant Location Manager |
| Production | Ryan Ferguson | Location Assistant |
| Sound | Chris Cozens | Music Programmer |
| Visual Effects | Robert J. Baldwin | CG Artist |
| Production | Alex Fratar | Executive Assistant |
| Visual Effects | Dominic Daigle | Matte Painter |
| Production | Laura H. Kreft | Payroll Accountant |
| Production | Cheri Coleman | Production Assistant |
| Production | Ronald Baum | Production Runner |
| Production | Monica Barraza | Production Secretary |
