In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
Writing | Larry Forrester | Screenplay |
Writing | Gordon W. Prange | Novel |
Directing | Toshio Masuda | Director |
Writing | Hideo Oguni | Screenplay |
Writing | Ladislas Farago | Novel |
Writing | Ryūzō Kikushima | Screenplay |
Writing | Akira Kurosawa | Screenplay |
Production | Elmo Williams | Producer |
Directing | Richard Fleischer | Director |
Directing | Kinji Fukasaku | Director |
Editing | James E. Newcom | Editor |
Editing | Shinya Inoue | Editor |
Editing | Pembroke J. Herring | Editor |
Sound | Jerry Goldsmith | Original Music Composer |
Production | Darryl F. Zanuck | Executive Producer |
Art | Norman Rockett | Set Decoration |
Art | Taizô Kawashima | Art Direction |
Art | Richard Day | Art Direction |
Directing | Duane Toler | Script Supervisor |
Art | Yoshirō Muraki | Art Direction |
Art | Walter M. Scott | Set Decoration |
Art | Jack Martin Smith | Art Direction |
Costume & Make-Up | Layne Britton | Makeup Artist |
Costume & Make-Up | Daniel C. Striepeke | Makeup Supervisor |
Costume & Make-Up | Courtney Haslam | Wardrobe Supervisor |
Sound | Herman Lewis | Sound Recordist |
Sound | James Corcoran | Sound Recordist |
Sound | Douglas O. Williams | Sound Recordist |
Sound | Shin Watarai | Sound Recordist |
Sound | Theodore Soderberg | Sound Recordist |
Sound | Murray Spivack | Sound Recordist |
Crew | Nick Dimitri | Stunts |
Crew | Charlie Picerni | Stunts |
Crew | Shinsaku Himeda | Cinematography |
Crew | Masamichi Satoh | Cinematography |
Crew | Osamu Furuya | Cinematography |
Camera | Charles F. Wheeler | Director of Photography |
Costume & Make-Up | Ed Wynigear | Wardrobe Master |
Visual Effects | L.B. Abbott | Visual Effects |
Visual Effects | Art Cruickshank | Visual Effects |
Crew | A.D. Flowers | Special Effects |
Sound | Arthur Morton | Orchestrator |
Production | Arthur Wildern | Other |
Production | George Watkins | Other |
Production | Jack Canary | Other |
Production | E. P. Stafford | Other |
Crew | Kameo Sonokawa | Technical Advisor |
Crew | Shizuo Takada | Technical Advisor |
Crew | Kuranosuke Isoda | Technical Advisor |
Crew | Tsuyoshi Saka | Technical Advisor |
Production | Otto Lang | Associate Producer |
Production | Masayuki Takagi | Associate Producer |
Production | Keinosuke Kubo | Associate Producer |
Production | Maurice Unger | Production Coordinator |
Production | Theodore Taylor | Production Coordinator |
Production | William Eckhardt | Unit Production Manager |
Production | Stanley Goldsmith | Unit Production Manager |
Production | Jack Stubbs | Unit Production Manager |
Production | Masao Namikawa | Unit Production Manager |
Directing | David Hall | Assistant Director |
Directing | Elliot Schick | Assistant Director |
Directing | Hiroshi Nagai | Assistant Director |
Directing | Ray Kellogg | Second Unit Director |