A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.
You can now watch The Power of the Dog online on the following streaming providers in the United States.
| Art | Grant Major | Production Design |
| Art | Mark Robins | Supervising Art Director |
| Directing | Jane Campion | Director |
| Production | Jane Campion | Producer |
| Writing | Jane Campion | Writer |
| Costume & Make-Up | Kirsty Cameron | Costume Design |
| Production | Nina Gold | Casting |
| Production | Emile Sherman | Producer |
| Production | Iain Canning | Producer |
| Production | Libby Sharpe | Co-Producer |
| Production | Nikki Barrett | Casting |
| Production | Roger Frappier | Producer |
| Production | Carmen Cuba | Casting Consultant |
| Production | Tanya Seghatchian | Producer |
| Writing | Tanya Seghatchian | Script Consultant |
| Sound | Jonny Greenwood | Original Music Composer |
| Costume & Make-Up | Noriko Watanabe | Hair Designer |
| Costume & Make-Up | Noriko Watanabe | Makeup Designer |
| Production | Phil Jones | Associate Producer |
| Directing | Phil Jones | First Assistant Director |
| Directing | Matt Johnston | Second Second Assistant Director |
| Production | Rose Garnett | Executive Producer |
| Camera | Daniel Foeldes | First Assistant "A" Camera |
| Production | Chloe Smith | Line Producer |
| Production | Chloe Smith | Co-Producer |
| Directing | Kathleen Thomas | Script Supervisor |
| Editing | Peter Sciberras | Editor |
| Sound | Mario Vaccaro | Foley Artist |
| Art | Nick Connor | Art Direction |
| Camera | Kirsty Griffin | Still Photographer |
| Sound | Dave Whitehead | Sound Designer |
| Production | Tina Cleary | Casting |
| Sound | Robert Mackenzie | Supervising Sound Editor |
| Visual Effects | Flavia Dias Riley | Visual Effects Producer |
| Sound | Richard Flynn | Sound Mixer |
| Art | Amber Richards | Set Decoration |
| Camera | Ben Rowsell | First Assistant "A" Camera |
| Camera | Grant Adams | Camera Operator |
| Camera | Grant Adams | Steadicam Operator |
| Camera | Grant Adams | Second Unit Director of Photography |
| Camera | Ari Wegner | Director of Photography |
| Production | John Woodward | Executive Producer |
| Sound | Tara Webb | Sound Effects Editor |
| Art | Matt Austin | Art Direction |
| Lighting | Nicholas Riini | Best Boy Electric |
| Crew | Ben Ruffell | Drone Operator |
| Art | Peter Long | Title Designer |
| Sound | Mick Boraso | Sound Editor |
| Lighting | Thad Lawrence | Gaffer |
| Production | Steven McKinnon | Finance |
| Art | Ben Whale | Set Dresser |
| Sound | Sandy Wakefield | Boom Operator |
| Costume & Make-Up | Alice Baker | Costume Supervisor |
| Production | Moira Grant | Unit Production Manager |
| Visual Effects | Alison Ingram | Visual Effects Producer |
| Crew | Colleen Clarke | Post Production Supervisor |
| Art | George Hamilton | Art Direction |
| Writing | Thomas Savage | Novel |
| Production | Simon Gillis | Executive Producer |
| Visual Effects | Rui Li | Visual Effects |
| Directing | Renata Blaich | Second Assistant Director |
| Visual Effects | Jason Hawkins | Visual Effects Supervisor |
| Lighting | Merlin Wilford | Best Boy Electric |
| Camera | Nick Willoughby | Second Assistant "A" Camera |
| Sound | Owen Grieve | ADR Recordist |
| Camera | Jimmy Bollinger | Second Assistant "B" Camera |
| Art | Sarah Cathie | Set Designer |
| Art | Daniel Koene | Set Designer |
| Crew | Bryan Haas | Thanks |
| Camera | Henry West | First Assistant "B" Camera |
| Lighting | Cilly Lawrence | Rigging Gaffer |
| Production | Linda Fenwick | Production Coordinator |
