A British scientist is discovered to have been passing information to the Communists, then kills himself. Another scientist decides that they might have brainwashed him by a sensory deprivation technique, but he doesn’t know if someone really can be convinced to act against their strongest feelings. So he agrees to be the subject in an experiment in which others will try to make him stop loving his wife.
Directing | Basil Dearden | Director |
Writing | James Kennaway | Screenplay |
Production | Michael Relph | Producer |
Sound | Georges Auric | Original Music Composer |
Editing | John D. Guthridge | Editor |
Costume & Make-Up | Anthony Mendleson | Costume Design |
Production | Charles Orme | Production Manager |
Camera | Denys N. Coop | Director of Photography |
Directing | Susan Dyson | Continuity |
Art | Jim Morahan | Art Direction |
Costume & Make-Up | Harry Frampton | Makeup Artist |
Costume & Make-Up | Pearl Orton | Hairdresser |
Directing | Basil Rayburn | Assistant Director |
Art | Bill Surridge | Construction Manager |
Sound | Robert T. MacPhee | Sound Re-Recording Mixer |
Sound | Gordon K. McCallum | Sound Recordist |
Sound | Vivian Temple-Smith | Sound Recordist |
Camera | Eric Besche | Camera Operator |
Sound | Muir Mathieson | Conductor |