A symbolist portrait of two gypsies in love, this captivating film finds Dulac deconstructing onscreen gender roles and striving to achieve her idea of cinema as a “visual symphony,” emphasizing rhythmic editing over acting to achieve a “cinema of suggestion.”
| Directing | Germaine Dulac | Director |
| Camera | Maurice Forster | Director of Photography |
| Camera | Paul Parguel | Director of Photography |
| Writing | Germaine Dulac | Adaptation |
| Writing | Maxim Gorky | Short Story |
| Writing | Maxim Gorky | Story |
| Writing | Germaine Dulac | Screenplay |
