In the nineteenth film in the series, in May 1919, Indy is working as a translator at the historic Paris Peace Conference. He meets up with T.E. Lawrence once more, but finds his ideals have changed a lot since the start of the war. Indy then decides to finally head home to Princeton - even though it means having to face his father. He gets reacquainted with his childhood friend Paul Robeson, who becomes the target of racism when they visit New York City.
Directing | David Hare | Director |
Writing | Jonathan Hales | Screenplay |
Production | George Lucas | Executive Producer |
Production | Rick McCallum | Producer |
Sound | Laurence Rosenthal | Original Music Composer |
Production | Janet Hirshenson | Casting |
Costume & Make-Up | Charlotte Holdich | Costume Design |
Editing | Paul Martin Smith | Editor |
Production | Karen Lindsay-Stewart | Casting |
Production | George Konicek | Casting |
Editing | Pat Hay | Editor |
Sound | Joel McNeely | Original Music Composer |
Art | Gavin Bocquet | Production Design |
Camera | Giles Nuttgens | Director of Photography |
Art | Ricky Eyres | Art Direction |
Art | Mark Geraghty | Art Direction |
Art | Peter Walpole | Set Decoration |
Production | Roger Mussenden | Casting |
Production | Jane Jenkins | Casting |
Editing | Louise Rubacky | Editor |
Art | Rosalind Shingleton | Set Decoration |
Costume & Make-Up | Trisha Biggar | Costume Design |
Camera | David Tattersall | Director of Photography |
Art | Ricky Eyres | Production Design |
Art | Karel Vacek | Art Direction |
Directing | Michael Schultz | Director |