Joe Baker has a dream. He wants to do 'something big.' When he needs a Gatling gun to accomplish this, he seeks out a black marketeer. The price he wants for the gun? A woman! So Baker kidnaps a woman off of the stagecoach, only to find that she is the wife of the commandant of the local Cavalry detachment. Things get further complicated when a girl named Dover McBride shows up. She has come to force Baker to marry her and return east, as he promised to do four years earlier
| Directing | Andrew V. McLaglen | Director |
| Production | Hoyt Bowers | Casting |
| Costume & Make-Up | Don Schoenfeld | Makeup Artist |
| Production | Harry Bernsen | Associate Producer |
| Costume & Make-Up | Hank Edds | Makeup Artist |
| Writing | James Lee Barrett | Writer |
| Art | Alfred Sweeney | Art Direction |
| Crew | Hal Needham | Stunt Coordinator |
| Costume & Make-Up | Ray Summers | Costume Design |
| Camera | Don Christie | Still Photographer |
| Production | Andrew V. McLaglen | Producer |
| Sound | Marvin Hamlisch | Original Music Composer |
| Costume & Make-Up | Richard Bruno | Costume Design |
| Production | James Lee Barrett | Producer |
| Camera | Harry Stradling Jr. | Director of Photography |
| Editing | Robert L. Simpson | Editor |
| Art | Dudley Holmes | Property Master |
| Directing | Howard W. Koch | Assistant Director |
| Costume & Make-Up | Esperanza Gómez | Hairstylist |
| Sound | Jesús González Gancy | Sound |
| Directing | Jerry Ziesmer | Second Assistant Director |
| Camera | Jack Whitman | Camera Operator |
| Sound | Gene Feldman | Supervising Music Editor |
| Production | Robert M. Beche | Unit Production Manager |
| Sound | Jack A. Finlay | Supervising Sound Editor |
| Crew | Logan Frazee | Special Effects |
| Directing | Bob Forrest | Script Supervisor |
