The true story of fraudulent Washington, D.C. journalist Stephen Glass, who rose to meteoric heights as a young writer in his 20s, becoming a staff writer at The New Republic for three years. Looking for a short cut to fame, Glass concocted sources, quotes and even entire stories, but his deception did not go unnoticed forever, and eventually, his world came crumbling down.
Camera | Phedon Papamichael | Additional Director of Photography |
Production | Tom Cruise | Executive Producer |
Production | Cassandra Kulukundis | Casting |
Sound | Mychael Danna | Original Music Composer |
Costume & Make-Up | Renée April | Costume Design |
Production | Paula Wagner | Executive Producer |
Production | Craig Baumgarten | Producer |
Editing | Jeffrey Ford | Editor |
Directing | Billy Ray | Director |
Writing | Billy Ray | Writer |
Production | Adam Merims | Producer |
Art | François Séguin | Production Design |
Production | Michael Paseornek | Executive Producer |
Production | Tom Ortenberg | Executive Producer |
Directing | Richard L. Fox | First Assistant Director |
Production | Gaye Hirsch | Producer |
Camera | Mandy Walker | Director of Photography |
Sound | David Bach | Supervising Sound Editor |
Writing | Buzz Bissinger | Original Story |
Crew | Carl Pedregal | Post Production Supervisor |
Sound | Joel C. High | Music Supervisor |
Camera | François Daignault | Steadicam Operator |
Production | Bernard Rodrigue | Location Manager |
Sound | Sean Rowe | Foley Artist |
Sound | Paul Intson | Music Editor |
Production | Tove Christensen | Producer |
Sound | Pierre Blain | Production Sound Mixer |
Crew | Jere Gillis | Stunt Double |
Art | Michel Brochu | Head Carpenter |
Lighting | John Lewin | Gaffer |
Sound | Elliot Tyson | Sound Re-Recording Mixer |
Sound | Marshall Garlington | Sound Re-Recording Mixer |
Camera | Jonathan Wenk | Still Photographer |
Production | Roch Chalifour | Assistant Location Manager |
Sound | David Esparza | Supervising Sound Effects Editor |
Production | Stacey McKay | Production Accountant |
Costume & Make-Up | Corald Giroux | Key Hairdresser |
Editing | Craig Tanner | Associate Editor |
Art | François Senécal | Set Decoration |
Sound | Chris Navarro | ADR Recordist |
Directing | Catherine Veaux-Logeat | Script Supervisor |
Costume & Make-Up | Martine Gagnon | Assistant Costume Designer |
Editing | Matvey Shatz | Color Timer |
Sound | Shawn Kennelly | Foley Mixer |
Sound | Stephanie Urcheck | Music Coordinator |
Crew | Julie Garceau | Video Assist Operator |
Camera | Nicolas Marion | First Assistant Camera |
Lighting | Claude Fortin | Key Rigging Grip |
Camera | Robert B. Baylis | Key Grip |
Crew | David McKeown | Stunt Coordinator |
Production | Julie Breton | Extras Casting |
Costume & Make-Up | Sophie Beasse | Key Dresser |
Production | Johnny Gidcomb | ADR Voice Casting |
Sound | Catherine Bellazzi | Boom Operator |
Art | Cecile Braemer | Art Department Coordinator |
Costume & Make-Up | Fabienne April | Wardrobe Coordinator |
Camera | Alain Masse | Dolly Grip |
Camera | Jean Kavanagh | Second Assistant Camera |
Costume & Make-Up | Francine Gagnon | Key Makeup Artist |
Production | Emily Rice | Post Production Accountant |
Sound | Eric Thompson | ADR Mixer |
Art | Carl Lessard | Graphic Designer |
Art | Pierre Perrault | Art Direction |
Sound | Dan Scolnik | Foley Editor |
Lighting | Jeff Scott | Best Boy Electric |
Production | Jacky Lavoie | Production Manager |
Costume & Make-Up | Catherine Lahaye | Makeup Artist |
Costume & Make-Up | Gérard Royer | Hairdresser |
Camera | Christian Lemay | First Assistant "B" Camera |
Crew | Yves Langlois | Stunt Double |
Camera | Benoit Descary | Second Assistant "B" Camera |
Directing | Michelle Gold | Second Assistant Director |
Directing | Roxanna Macedo | Second Second Assistant Director |
Directing | Natalia Ortelli | Third Assistant Director |
Camera | Marie-Pierre Gratton | Camera Loader |
Production | Paule Girardin | Production Coordinator |