Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.
| Writing | C.J. Koch | Screenplay |
| Writing | C.J. Koch | Novel |
| Camera | Russell Boyd | Director of Photography |
| Production | Jim McElroy | Producer |
| Editing | William M. Anderson | Editor |
| Directing | Peter Weir | Director |
| Writing | Peter Weir | Screenplay |
| Sound | Maurice Jarre | Original Music Composer |
| Writing | David Williamson | Screenplay |
| Production | Freddie Fields | Executive Producer |
| Art | Herbert Pinter | Art Direction |
| Directing | Moya Iceton | Continuity |
| Camera | Nixon Binney | Camera Operator |
| Camera | John Seale | Second Unit Director of Photography |
| Sound | Gary Wilkins | Sound Recordist |
| Sound | Mark J. Wasiutak | Boom Operator |
| Production | Elaine Crowther | Production Accountant |
| Directing | Mark Egerton | First Assistant Director |
| Production | Mark Egerton | Production Supervisor |
| Production | Carolynne Cunningham | Production Coordinator |
| Directing | Chris Webb | Second Assistant Director |
| Directing | Michael Bourchier | Third Assistant Director |
| Lighting | Brian Bansgrove | Gaffer |
| Lighting | Paul Gantner | Best Boy Electric |
| Camera | Ray Brown | Key Grip |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Costume & Make-Up | Anthony Jones | Costume Supervisor |
| Costume & Make-Up | Judy Lovell | Makeup Artist |
| Costume & Make-Up | Cheryl Williams | Hairstylist |
| Art | Anni Browning | Assistant Art Director |
| Production | Alison Barrett | Casting |
| Camera | Jim Townley | Still Photographer |
