Seven years ago, Regina (Mimi Rogers) was tried for the death. On the night before she becomes the first woman in over 40 years to be executed in a federal penitentiary, she befriends the lone, curious prison guard Colin Reeves (Billy Zane), who has been assigned to watch over her. By telling Regina's story through flashbacks interwoven with her present situation, the film helps us understand this woman in a unique, disturbing and sympathetic way
| Directing | Jon Purdy | Director |
| Writing | Jon Purdy | Writer |
| Production | Alida Camp | Producer |
| Production | Gwen Field | Producer |
| Production | Carol Dunn Trussell | Producer |
| Sound | Parmer Fuller | Original Music Composer |
| Camera | Teresa Medina | Director of Photography |
| Editing | Norman Buckley | Editor |
| Production | Billy DaMota | Casting |
| Art | Arlan Jay Vetter | Production Design |
| Art | Roger Belk | Art Direction |
| Costume & Make-Up | Deena Appel | Costume Design |
| Costume & Make-Up | Suzanne Willey | Key Hair Stylist |
| Costume & Make-Up | Suzanne Willey | Key Makeup Artist |
| Directing | Marco Black | First Assistant Director |
| Directing | Tony Steinberg | First Assistant Director |
| Art | Paul Butch Kitchen | Property Master |
| Editing | Butch Johnson | Dialogue Editor |
| Sound | Ken Regan | Sound Effects Editor |
| Sound | Camilla Mauritzson Skjaerbaek | Sound Effects Editor |
| Camera | Nina Krieger | Still Photographer |
| Camera | Linda Morgenstern | Camera Operator |
| Costume & Make-Up | Vikki Barrett | Wardrobe Supervisor |
| Sound | Paul Di Franco | Music Supervisor |
| Production | Diana Ragland | Production Coordinator |
| Directing | Cheryl Starbuck | Script Supervisor |
| Production | Roger Corman | Executive Producer |
| Production | Lance H. Robbins | Executive Producer |
