An architect wants to rebuild New York City as a utopia following a devastating disaster.
| Directing | Francis Ford Coppola | Director |
| Production | Francis Ford Coppola | Producer |
| Writing | Francis Ford Coppola | Writer |
| Crew | John S. Baker | Special Effects Coordinator |
| Art | Domenic Silvestri | Art Direction |
| Camera | Mihai Malaimare Jr. | Director of Photography |
| Art | Beth Mickle | Production Design |
| Production | Nicole Daniels | Casting |
| Costume & Make-Up | Kris Evans | Key Makeup Artist |
| Lighting | Jeff Murrell | Gaffer |
| Art | Eric Morrell | Art Department Assistant |
| Production | Courtney Bright | Casting |
| Crew | Robert Foster Jr. | Transportation Coordinator |
| Production | Rose Locke | Extras Casting Coordinator |
| Visual Effects | Dane Allan Smith | Visual Effects Producer |
| Art | Nick S. Cross | Set Designer |
| Art | Lisa K. Sessions | Set Decoration |
| Camera | Henry Tirl | Camera Operator |
| Camera | Henry Tirl | Steadicam Operator |
| Lighting | Tom Fendley | Rigging Gaffer |
| Costume & Make-Up | Alexis Continente | Hair Designer |
| Art | Samantha Avila | Art Direction |
| Art | Dean Sherriff | Concept Artist |
| Production | Robert Mazaraki | Unit Production Manager |
| Production | April A. Janow | Controller |
| Sound | Michael B. Koff | Production Sound Mixer |
| Art | Ed Symon | Set Designer |
| Costume & Make-Up | Lance Aldredge | Hairstylist |
| Costume & Make-Up | Aida Scuffle | Makeup Artist |
| Art | Brittany Hites | Art Direction |
| Art | Daniela Medeiros | Set Designer |
| Lighting | Rick Turner | Rigging Grip |
| Sound | Ian Bender | Boom Operator |
| Visual Effects | Bob Riggs | Special Effects Supervisor |
| Camera | Richard Arnold | Best Boy Grip |
| Production | Dustin Pitan | Location Manager |
| Art | Chris Sanford | Set Designer |
| Production | Josh Dillard | Location Manager |
| Production | Josh Dillard | Assistant Location Manager |
| Lighting | Joseph Harold Page | Gaffer |
| Crew | Jacob Jackson | Intern |
| Costume & Make-Up | John Tarro | Hairstylist |
| Art | Karl Shefelman | Conceptual Illustrator |
| Camera | Mackie Roberts | Key Grip |
| Art | Kristen Jenkins | Set Designer |
| Art | Lenzi Sealy | Location Scout |
| Camera | Victoria K. Warren | Second Assistant Camera |
| Camera | Nick Baird | Dolly Grip |
| Art | Molly Hunter Flick | Art Department Coordinator |
| Lighting | Brad Irvin | Best Boy Electric |
| Production | Gavin Atilano | Production Supervisor |
| Art | Cristiano Donzelli | Storyboard Artist |
| Production | Sandra L. Dixon | Production Accountant |
| Production | Jeremiah Cullen | Production Coordinator |
| Camera | Kenneth Bolton | Dolly Grip |
| Production | Ian Easterbrook | Location Manager |
| Crew | Hector Tapia | Transportation Captain |
| Production | Thomas Salomon | Production Secretary |
| Production | Patrick Rokn | Extras Casting Assistant |
| Costume & Make-Up | Lisa Poe | Makeup Artist |
| Production | Phil Pomeroy | Extras Casting Assistant |
| Art | David Scott | Supervising Art Director |
| Production | Luca Edo Russot | Production Manager |
| Crew | Anna Lazzaro | Intern |
| Production | Amanda J. Powderly | Assistant Accountant |
| Production | Lauren Michele Reed | Assistant Accountant |
| Costume & Make-Up | Arlene Martin | Hairstylist |
| Crew | Ryan Gibbons | Video Assist Operator |
| Crew | Arma Benoit | Special Effects |
| Crew | Austin Cody Griffin | Special Effects Technician |
| Costume & Make-Up | Saundra Roberson | Hairstylist |
| Lighting | Ryan Basso | Rigging Gaffer |
| Camera | Jason Davenport | Grip |
| Lighting | Stoy Fulcher | Rigging Grip |
| Camera | Stephen Lamb | Grip |
| Camera | Josh Rivenbark | Grip |
| Camera | Logan Russell | Grip |
| Lighting | Mark Stuen | Lighting Programmer |
| Production | Robb Pendleton | Extras Casting Assistant |
