When Fannie offers her father to cut his hair, he accepts. Alain knows that his daughter will do it carefully and thoroughly, as usual. But an outside incident change their plans and confront the precariousness of this shared moment. The cut tells the story of a father and a daughter, between proximity and detachment, for the moment of an haircut. -Written by Colonelle films
| Art | Jonas Bouchard | Art Direction |
| Sound | Geoffrey Mithell | Sound mixer |
| Editing | François Lamarche | Editorial Services |
| Directing | Guillaume Sabourin | Assistant Director |
| Editing | Emmanuelle Lane | Editorial Services |
| Production | Sarah Mannering | Producer |
| Production | Fanny Drew | Producer |
| Sound | Marie-Pierre Grenier | Sound Editor |
| Editing | Charles Boileau | Editorial Services |
| Costume & Make-Up | Marie-Claude Marquis | Costume Design |
| Camera | Léna Mill-Reuillard | Director of Photography |
| Sound | Laurent Ouellette | Sound Recordist |
| Directing | Geneviève Dulude-De Celles | Director |
| Writing | Geneviève Dulude-De Celles | Writer |
