England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
| Writing | Virginia Woolf | Novel |
| Sound | David Motion | Original Music Composer |
| Writing | Sally Potter | Screenplay |
| Production | Christopher Sheppard | Producer |
| Editing | Hervé Schneid | Editor |
| Directing | Sally Potter | Director |
| Costume & Make-Up | Sandy Powell | Costume Design |
| Camera | Alexey Rodionov | Director of Photography |
| Sound | Sally Potter | Original Music Composer |
| Production | Laurie Borg | Line Producer |
| Costume & Make-Up | Tamara Frid | Makeup Artist |
| Production | Matthijs van Heijningen | Co-Producer |
| Production | Jean Gontier | Co-Producer |
| Production | Irene Lamb | Casting |
| Directing | Christopher Newman | First Assistant Director |
| Crew | Jacky Lansley | Choreographer |
| Production | Richard Salmon | Associate Producer |
| Directing | Christian McWilliams | Third Assistant Director |
| Art | Michael Howells | Art Direction |
| Sound | Pauline Bennion | Foley Artist |
| Directing | Michael Zimbrich | First Assistant Director |
| Sound | Jean-Louis Ducarme | Sound Recordist |
| Art | Christopher Hobbs | Set Designer |
| Crew | Steve Dent | Stunt Coordinator |
| Production | Roberto Cicutto | Co-Producer |
| Directing | Simon Moseley | Second Assistant Director |
| Art | Michael Buchanan | Art Direction |
| Sound | Jack Stew | Foley Artist |
| Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
| Sound | Bob Last | Music Supervisor |
| Costume & Make-Up | Morag Ross | Makeup Supervisor |
| Costume & Make-Up | Jan Archibald | Hair Supervisor |
| Crew | Michael Powell | Thanks |
| Production | Vitaly Sobolev | Co-Producer |
| Production | Martine Kelly | Associate Producer |
| Art | Ben van Os | Production Design |
| Art | Jan Roelfs | Production Design |
| Production | Linda Bruce | Production Executive |
| Production | Lynn Hanke | Associate Producer |
| Production | Jonathan Finn | Production Coordinator |
| Lighting | Ted Read | Gaffer |
| Crew | Fred Frith | Additional Music |
| Crew | David Bedford | Additional Music |
| Production | Anna Vronskaya | Production Executive |
| Writing | Walter Donohue | Story Editor |
| Directing | Penny Eyles | Script Supervisor |
| Production | Luigi Musini | Co-Producer |
| Crew | Paul Corbould | Special Effects Technician |
| Camera | Richard Broome | Key Grip |
| Sound | Samuel Cohen | Boom Operator |
| Costume & Make-Up | Dien van Straalen | Costume Design |
| Art | Totty Whately | Property Buyer |
| Camera | Liam Longman | Still Photographer |
| Art | Constance de Vos | Set Dresser |
| Art | Floris Vos | Set Dresser |
| Production | Tony Clarkson | Location Manager |
| Sound | Kant Pan | Supervising Sound Editor |
| Sound | Diane Greaves | Foley Artist |
| Art | Stanislav Romanovsky | Production Design |
| Art | Ben Zuydwijk | Set Painter |
