Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
| Editing | Pietro Scalia | Editor |
| Production | Billy Hopkins | Casting |
| Production | Clayton Townsend | Producer |
| Production | Risa Bramon Garcia | Casting |
| Art | Derek R. Hill | Art Direction |
| Costume & Make-Up | Marlene Stewart | Costume Design |
| Writing | Oliver Stone | Screenplay |
| Writing | Zachary Sklar | Screenplay |
| Production | Arnon Milchan | Executive Producer |
| Art | Victor Kempster | Production Design |
| Art | Crispian Sallis | Set Decoration |
| Editing | Joe Hutshing | Editor |
| Production | Oliver Stone | Producer |
| Production | Heidi Levitt | Casting |
| Production | A. Kitman Ho | Producer |
| Sound | John Williams | Original Music Composer |
| Camera | Robert Richardson | Director of Photography |
| Art | Alan Tomkins | Art Direction |
| Crew | Randy E. Moore | Special Effects Coordinator |
| Visual Effects | Miller Drake | Visual Effects |
| Crew | Webster Whinery | Stunt Coordinator |
| Crew | Bob Shelley | Special Effects |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Camera | J. Michael Muro | Steadicam Operator |
| Directing | Susan Malerstein | Script Supervisor |
| Lighting | John Shoemaker | Rigging Gaffer |
| Sound | Kenneth Wannberg | Music Editor |
| Sound | Mark Lanza | Sound Effects Editor |
| Costume & Make-Up | Ron Scott | Hairstylist |
| Costume & Make-Up | Ron Berkeley | Makeup Artist |
| Costume & Make-Up | Cassandra Scott | Makeup Artist |
| Sound | Scott Martin Gershin | Sound Effects Editor |
| Costume & Make-Up | Elle Elliott | Key Hair Stylist |
| Costume & Make-Up | Martha Marek Beresford | Hairstylist |
| Costume & Make-Up | Craig Berkeley | Makeup Artist |
| Sound | Jay B. Richardson | Sound Effects Editor |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Costume & Make-Up | Kelvin R. Trahan | Hairstylist |
| Costume & Make-Up | Wade Daily | Makeup Artist |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Costume & Make-Up | Elaine Thomas | Makeup Artist |
| Costume & Make-Up | Deborah Mills-Whitlock | Hairstylist |
| Costume & Make-Up | Bonnie Clevering | Hairstylist |
| Crew | Kevin Beard | Utility Stunts |
| Costume & Make-Up | Mark Burchard | Costume Design |
| Lighting | Michael F. Burke | Electrician |
| Crew | William H. Brown | Post Production Supervisor |
| Visual Effects | Margaret Johnson | Special Effects Supervisor |
| Crew | Warren Keillor | Special Effects |
| Editing | Kate Crossley | Assistant Editor |
| Editing | David Orr | Color Timer |
| Sound | Dan M. Rich | Dialogue Editor |
| Sound | Avram D. Gold | ADR Supervisor |
| Sound | Willy Allen | Dialogue Editor |
| Sound | Alison Fisher | Dialogue Editor |
| Sound | Hugo Weng | Dialogue Editor |
| Sound | Mark Gordon | Dialogue Editor |
| Camera | Jerry G. Callaway | Additional Camera |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Directing | Joe Burns | Second Assistant Director |
| Sound | Bob Newlan | Dialogue Editor |
| Production | Joseph P. Reidy | Associate Producer |
| Sound | Mary Andrews | ADR Editor |
| Art | J. Grey Smith | Property Master |
| Directing | Joseph P. Reidy | First Assistant Director |
| Sound | David A. Arnold | Dialogue Editor |
| Sound | Jerelyn J. Harding | ADR Editor |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Camera | J. Michael McClary | Additional Camera |
| Sound | Christopher Assells | Dialogue Editor |
| Art | Tana Bishop | Art Department Coordinator |
| Crew | Tutt Esquerre | Picture Car Coordinator |
| Production | Thomas Hayslip | Research Assistant |
| Art | Mary Saisselin | Set Designer |
| Sound | Sandy Berman | Foley Editor |
| Art | Jack Kostelnik | Construction Foreman |
| Camera | Chris Centrella | Key Grip |
| Crew | Jamie Dierlam | Stunts |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Crew | Romy Stevenson | Production Intern |
| Crew | William B. Borges | Transportation Captain |
| Crew | Alvin L. Milliken Sr. | Transportation Coordinator |
| Production | Juel Bestrop | Casting Associate |
| Production | Patricia Anne Doherty | Location Manager |
| Art | Mandy Brou | Set Dresser |
| Art | Bill Darrow | Standby Painter |
| Crew | Patrick Hogan | Driver |
| Sound | T.J. O'Mara | Boom Operator |
| Crew | Charlie French | Set Medic |
| Sound | Joseph Holsen | Sound Editor |
| Costume & Make-Up | Ron Berkeley | Key Makeup Artist |
| Sound | Robert Batha | Assistant Sound Editor |
| Crew | Brooks Baldwin | Dialect Coach |
| Camera | Mark A. Hatley | Grip |
| Crew | Derek Abernathy | Carpenter |
| Crew | Daniel Burns | Set Production Assistant |
| Crew | Roger Armstrong | Unit Publicist |
| Costume & Make-Up | Dan Bronson | Costume Supervisor |
| Art | Rodney Armanino | Construction Coordinator |
| Art | Margery Z. Gabrielson | Assistant Art Director |
| Art | Barby Kirk | Props |
| Crew | Budd Carr | Executive Music Producer |
| Production | Leeann Stonebreaker | Production Coordinator |
| Production | Clayton Townsend | Production Manager |
| Art | Dennis Collins | Painter |
| Costume & Make-Up | Lisa Lovaas | Assistant Costume Designer |
| Crew | John A. Kelly | Scenic Artist |
| Sound | John Neufeld | Orchestrator |
| Crew | Kayla Chaillot | Craft Service |
| Sound | Tim Morrison | Musician |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Crew | Mark Thomason | Stand In |
| Editing | F. Paul Benz | First Assistant Editor |
| Production | Dianne E. Collins | Publicist |
| Sound | Joseph A. Brennan | Sound Engineer |
| Sound | Mark 'Frito' Long | Sound Recordist |
| Directing | Deborah Lupard | Second Second Assistant Director |
| Sound | David M. Roberts | Utility Sound |
| Art | Carl Catanese | Set Buyer |
| Production | Sandra Dawes | Location Casting |
| Camera | Kenny Davis | Dolly Grip |
| Lighting | Reinhart Peschke | Chief Lighting Technician |
| Camera | Faires A. Sekiya | Second Assistant Camera |
| Lighting | Frank Scheidbach | Assistant Chief Lighting Technician |
| Sound | Greg Orloff | Foley Mixer |
| Crew | Eddie Perez | Stunt Driver |
| Editing | Donah Bassett | Negative Cutter |
| Production | Gary Huckabay | Assistant Location Manager |
| Production | Margaret Lancaster | Assistant Production Coordinator |
| Production | Ann Goulder | Casting Assistant |
| Production | Liam Finn | Production Secretary |
| Crew | Numa V. Bertel Jr. | Technical Advisor |
| Sound | Judson Leach | Apprentice Sound Editor |
| Camera | Richard Sobin | Camera Loader |
| Costume & Make-Up | Fran Allgood | Costumer |
| Sound | Dan O'Connell | Foley Artist |
| Editing | Julie Monroe | Associate Editor |
| Camera | Michael Off | Assistant Camera |
| Directing | Philip C. Pfeiffer | Second Unit Director |
| Camera | Jeff Kluttz | Best Boy Grip |
| Production | Jonathan M. Abrams | Production Assistant |
| Art | Lance Cheatham | Swing |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Art | Paul Etheredge | Art Department Assistant |
| Writing | Jim Garrison | Book |
| Writing | Jim Marrs | Book |
| Directing | Oliver Stone | Director |
| Production | Michael Johnson | Production Assistant |
| Sound | Bill Daly | Sound Mixer |
| Costume & Make-Up | Andria Litto | Wardrobe Assistant |
| Crew | John Stockwell | Technical Advisor |
| Camera | Donald Carlson | First Assistant Camera |
