Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.
| Writing | Silvia D'Amico Bendicò | Screenplay |
| Directing | Roberto Rossellini | Director |
| Writing | Roberto Rossellini | Screenplay |
| Sound | Mario Nascimbene | Music |
| Editing | Jolanda Benvenuti | Editor |
| Production | Silvia D'Amico Bendicò | Producer |
| Camera | Mario Montuori | Director of Photography |
| Costume & Make-Up | Marcella De Marchis | Costume Design |
| Art | Osvaldo Desideri | Set Decoration |
| Directing | Mark Lombardo | Second Assistant Director |
| Art | Giorgio Bertolini | Art Direction |
| Production | Claude Baks | Co-Producer |
