The true story of Texas congressman Charlie Wilson's covert dealings in Afghanistan, where his efforts to assist rebels in their war with the Soviets had some unforeseen and long-reaching effects.
Production | Tom Hanks | Producer |
Art | Nancy Haigh | Set Decoration |
Art | Victor Kempster | Production Design |
Sound | James Newton Howard | Original Music Composer |
Production | Ellen Lewis | Casting |
Production | Celia D. Costas | Executive Producer |
Directing | Mike Nichols | Director |
Camera | Stephen Goldblatt | Director of Photography |
Art | Marco Trentini | Art Direction |
Editing | John Bloom | Editor |
Editing | Antonia Van Drimmelen | Editor |
Art | Brad Ricker | Supervising Art Director |
Costume & Make-Up | Albert Wolsky | Costume Design |
Writing | Aaron Sorkin | Screenplay |
Crew | John Hartigan | Special Effects Coordinator |
Production | Michael Haley | Co-Producer |
Directing | Michael Haley | First Assistant Director |
Visual Effects | Richard Edlund | Visual Effects Supervisor |
Costume & Make-Up | Rick Sharp | Makeup Artist |
Production | Gary Goetzman | Producer |
Production | Jeff Skoll | Executive Producer |
Production | Ryan Kavanaugh | Executive Producer |
Production | Paul A. Levin | Associate Producer |
Costume & Make-Up | Gary Archer | Prosthetics |
Directing | Basil Grillo | Second Assistant Director |
Sound | Ron Bochar | Supervising Sound Editor |
Sound | Ron Bochar | Sound Re-Recording Mixer |
Sound | Kam Chan | Foley Editor |
Sound | Marko Costanzo | Foley Artist |
Sound | Lee Dichter | Sound Re-Recording Mixer |
Crew | Rick Avery | Stunt Coordinator |
Camera | Charles Saldana | Key Grip |
Art | Luke Freeborn | Assistant Art Director |
Production | Nicole Abellera | Local Casting |
Art | Dean Wolcott | Assistant Art Director |
Sound | George A. Lara | Foley Mixer |
Production | Cristen Carr Strubbe | Unit Production Manager |
Camera | François Duhamel | Still Photographer |
Camera | Trevor Coop | Second Unit Director of Photography |
Camera | Shawn Landis | Second Assistant "A" Camera |
Costume & Make-Up | Douglas Noe | Key Makeup Artist |
Costume & Make-Up | Luisa Abel | Makeup Department Head |
Costume & Make-Up | Bob Morgan | Costume Supervisor |
Art | Josh Lusby | Set Designer |
Sound | Carl Fischer | Boom Operator |
Art | Leah Palen | Set Decorating Coordinator |
Art | Sebastian Milito | Construction Coordinator |
Art | Charlotte Raybourn | Art Department Coordinator |
Directing | Mary Bailey | Script Supervisor |
Production | Mary Bailey | Associate Producer |
Production | Michelle Brattson | Production Coordinator |
Art | Trish Gallaher Glenn | Property Master |
Camera | Ray De La Motte | Camera Operator |
Visual Effects | Liz Ralston | Visual Effects Producer |
Sound | Allan Zaleski | Sound Effects Editor |
Sound | Deborah Wallach | ADR Editor |
Costume & Make-Up | Janice Alexander | Hair Department Head |
Camera | Will Arnot | Steadicam Operator |
Camera | Will Arnot | "B" Camera Operator |
Costume & Make-Up | Kimberley Spiteri | Key Hair Stylist |
Sound | Branka Mrkic | Dialogue Editor |
Art | Paige Augustine | Set Buyer |
Sound | Heather Gross | Foley Editor |
Lighting | Erik Bernstein | Best Boy Electric |
Costume & Make-Up | Susan Kowarsh | Assistant Costume Designer |
Production | Gregg Edler | Production Supervisor |
Sound | Petur Hliddal | Production Sound Mixer |
Lighting | Colin J. Campbell | Gaffer |
Camera | Erik L. Brown | First Assistant "B" Camera |
Production | Ann Gray | Post Production Coordinator |
Directing | Antoine Douaihy | Second Unit Director |
Camera | Doug Wall | Best Boy Grip |
Camera | Dennis Seawright | First Assistant "A" Camera |
Production | Edward Hunt | Associate Producer |
Directing | Mark Trapenberg | Second Second Assistant Director |
Art | Martin Charles | Graphic Designer |
Camera | Mike Cahoon | Camera Loader |
Camera | Starrs McBurney | Second Assistant "B" Camera |
Art | Leslie 'Tinker' Linville | Set Buyer |
Writing | George Crile | Book |