In a city of love and prosperity, a city of lost hope and premature death, veteran detective Hei feels it all: the hurt, the helplessness, the horror. When his father-in-law, the billionaire benefactor Kim, is gruesomely murdered in his palatial mansion, he enlists the assistance of his former partner turned private detective.
Writing | Felix Chong | Writer |
Directing | Andrew Lau Wai-Keung | Director |
Writing | Alan Mak | Writer |
Directing | Alan Mak | Director |
Crew | Chi Shui-Tim | Pyrotechnician |
Camera | Andrew Lau Wai-Keung | Director of Photography |
Camera | Lai Yiu-Fai | Director of Photography |
Production | Man Lim-Chung | Production Designer |
Costume & Make-Up | Giorgio Armani | Costume Designer |
Editing | Wai Chiu Chung | Editor |
Sound | Chan Kwong-Wing | Original Music Composer |
Crew | John Chong | Presenter |
Crew | Don Yu Dong | Presenter |
Sound | Kinson Tsang King-Cheung | Sound Designer |
Sound | Kinson Tsang King-Cheung | Sound Re-Recording Mixer |
Sound | George Lee Yiu-Keung | Sound Re-Recording Mixer |
Sound | Davy To Burnard | Foley Recordist |
Sound | Charles Yeung Lok-tin | Foley Recordist |
Production | Andrew Lau Wai-Keung | Producer |
Production | Cheung Hong-Tat | Producer |
Directing | Wong Fei-Fei | Assistant Director |
Directing | Lee Tat-Chiu | Action Director |
Directing | Ask Lee | Assistant Director |
Directing | Joe Fong Si-Hang | Assistant Director |
Directing | Lam Shu-Yam | Script Supervisor |
Camera | Rocky Tsang Chun-Chung | Focus Puller |
Camera | Ho Kin-Kwong | Focus Puller |
Camera | Ho Po-Wing | Dolly Grip |
Lighting | Wu Tin-Yan | Gaffer |
Lighting | Chan Sing | Best Boy Electric |
Art | Liang Shi-Yun | Assistant Art Director |
Art | Cheng Ho-Fung | Art Department Assistant |
Costume & Make-Up | Damon Lau Ling-Fai | Assistant Costume Designer |
Costume & Make-Up | Kwok Yin-Wai | Wardrobe Supervisor |
Costume & Make-Up | Marianne Wong Ming-Pooi | Makeup & Hair |
Costume & Make-Up | Rachel Kong Tak-Yen | Hairstylist |
Editing | David Choi Yuk-Lam | Assistant Editor |
Art | Jackson Wong Wai-Ming | Property Master |
Sound | Tam Tak-Wing | Sound Mixer |
Sound | Johnny Wan Yat-Sing | Boom Operator |
Crew | Lorraine Hoh Lai-Seung | Production Controller |
Crew | Ellen Cheung Man-Wing | Production Controller |
Production | Paul Au Wai-Lun | Production Manager |
Production | Ao Pou-Ian | Production Manager |
Production | Yau Tsz-Kit | Assistant Production Manager |
Production | Godfrey Leung | Assistant Production Manager |
Production | Wave Cheung Yiu-Ho | Assistant Production Manager |
Production | Jeannette Lee Cheuk-San | Associate Producer |
Production | Cheung Chi-Ho | Unit Manager |
Camera | Wong Wai-Lun | Still Photographer |
Camera | Hung Fei | Still Photographer |
Visual Effects | Chas Chau Chi-Shing | Visual Effects Director |
Visual Effects | Tracy Kok Wai-Leng | Visual Effects Producer |
Visual Effects | Otto Wong Kung-Kuen | Animation |
Visual Effects | Hugo Kwan Cheuk-Ho | Animation |
Visual Effects | Joe Tam | Animation |
Visual Effects | Tong Kin-Wah | Animation |
Visual Effects | Chow Wing-Yin | Animation |
Visual Effects | Tsui Chun-Yu | Animation |
Sound | Lai Chi-Hung | Dialogue Editor |
Sound | Terry Shek Chun-Kin | Foley Editor |
Sound | Kwong Wai-Hung | Foley |
Sound | Tommy Yu Ka-Luk | Foley |
Sound | Henry Yam Kwong-Heung | Foley |
Sound | Au Chun-Wang | Foley |
Sound | Lam Hon-Chiu | Foley |
Sound | Lam Wai-Shun | Foley |
Sound | Yu Chi-Man | Foley |
Sound | Yiu Chun-Hin | Foley Editor |
Sound | Lai Chi-Hung | ADR Recordist |