Like every night, Manuel remembers the old days of glory, when after the war he was a famous bullfighter. He and his friend Juan were the fashionable couple. Now Juan is a prominent businessman in bullfighting. But Manuel's feelings toward him have changed radically: an inexplicable hated seizes him when someone mentions his name. It has been more than twenty years since that afternoon, when Manuel was bullfighting and fell to the ground.
| Directing | Rafael Gil | Director |
| Directing | Martín Sacristán | Assistant Director |
| Art | Enrique Alarcón | Set Decoration |
| Production | Andrés Velasco | Producer |
| Art | Mariano de Lope | Property Master |
| Production | José Luis Rubio | Production Assistant |
| Editing | José Antonio Rojo | Editor |
| Sound | Ángel Arteaga | Music |
| Art | Julio Arribas | Property Master |
| Sound | José María San Mateo | Sound Engineer |
| Camera | Eduardo Noé | Camera Operator |
| Writing | Andrés Velasco | Story |
| Costume & Make-Up | Rafael Berraquero | Assistant Makeup Artist |
| Costume & Make-Up | Cristóbal Criado | Makeup Artist |
| Production | Valentín Panero | Production Manager |
| Art | Antonio de Miguel | Assistant Set Decoration |
| Camera | Fernando Perrote | Assistant Camera |
| Camera | Michel Kelber | Director of Photography |
| Costume & Make-Up | Ra del Rey | Costume Design |
| Art | Juan García | Construction Coordinator |
| Directing | Carmen Salas | Script Supervisor |
| Camera | Felipe López | Still Photographer |
| Editing | Eduardo Biurrun | Assistant Editor |
| Writing | Pedro Mario Herrero | Screenplay |
| Costume & Make-Up | Ana Criado | Hairstylist |
| Camera | Juan Antonio Aguilar | Assistant Camera |
| Writing | Pedro Mario Herrero | Dialogue |
