A look at the 1950s muscle men's magazines and the representative industry which were popular supposedly as health and fitness magazines, but were in reality primarily being purchased by the still-underground homosexual community. Chief among the purveyors of this literature was Bob Mizer, who maintained a magazine and developed sexually inexplicit men's films for over 40 years. Aided by his mother, the two maintained a stable of not so innocent studs.
| Directing | Thom Fitzgerald | Director |
| Writing | Thom Fitzgerald | Writer |
| Production | Thom Fitzgerald | Producer |
| Editing | Susan Shanks | Editor |
| Directing | Jason Shipley | Assistant Director |
| Production | Barbara Badessi | Associate Producer |
| Production | Dreux Ellis | Associate Producer |
| Costume & Make-Up | James A. Worthen | Costume Designer |
| Sound | Randy Wilson | ADR Mixer |
| Sound | Trevor Wentzell | Musician |
| Sound | Orest Sushko | Sound |
| Sound | Brian Power | ADR Recordist |
| Sound | Virginia Storey | Foley Artist |
| Sound | Randy Wilson | Foley Recordist |
| Camera | Chris Baxter | Dolly Grip |
| Sound | Keith Power | Musician |
| Directing | Kayla Popp | Second Assistant Director |
| Sound | Christopher Mitchell | Music |
| Production | Michael Schaefer | Production Assistant |
| Production | Michael Weir | Casting Director |
| Sound | Clive Turner | Sound Effects Editor |
| Sound | Lou Solakofski | Sound |
| Production | Marc Betsworth | Associate Producer |
| Production | Shandi Mitchell | Producer |
| Sound | John Roby | Original Music Composer |
| Sound | Craig Mann | Sound |
| Writing | Valentine Hooven | Original Story |
| Art | Jennifer Stewart | Art Direction |
| Art | D'Arcy Poultney | Production Design |
| Editing | Michael Weir | Editor |
| Sound | Alastair Gray | Dialogue Editor |
| Production | Margaret Harrison | Assistant Production Coordinator |
| Camera | Thomas M. Harting | Director of Photography |
