In 1950, amidst the ravages of the Korean War, Sergeant Süleyman stumbles upon a a half-frozen little girl, with no parents and no help in sight and he risks his own life to save her, smuggling her into his army base and out of harm’s way.
| Directing | Can Ulkay | Director |
| Writing | Yiğit Güralp | Writer |
| Production | Çağlar Ercan | Co-Producer |
| Production | Christopher H.K. Lee | Consulting Producer |
| Production | Ayse Ilker Turgut | Line Producer |
| Production | Mustafa Uslu | Producer |
| Crew | Jean Paul Seresin | Cinematography |
| Editing | Mustafa Presheva | Editor |
| Art | Fırat Yünlüel | Art Direction |
| Costume & Make-Up | Baran Uğurlu | Costume Design |
| Directing | Berker Berki | Assistant Director |
| Directing | Ekrem Erhan Güçel | Second Assistant Director |
| Sound | Deniz Erdogan | Foley Editor |
| Sound | Eren Erdoğan | Sound Effects Editor |
| Sound | Cagdas Karagoz | Sound Mixer |
| Sound | Hasan Sayin | Boom Operator |
| Sound | Çağlar Yeşilay | Dialogue Editor |
| Crew | Talha Dumanoglu | Visual Effects Art Director |
| Crew | Utku Ertin | Visual Effects Art Director |
| Crew | Dusan Hyska | Stunt Coordinator |
| Crew | Mahmoud Kasalkheh | Stunts |
| Camera | Ali Acar | Camera Operator |
| Camera | Yasin Akin | Camera Operator |
| Camera | Louis Seresin | Camera Operator |
| Camera | Yunus Emre Kaplan | Still Photographer |
| Visual Effects | Tuce Zenginkinet | Digital Effects Producer |
| Editing | Ali Isfendiyaroglu | Editor |
| Visual Effects | James Norman | Color Designer |
| Visual Effects | Vanessa Taylor | Color Designer |
| Sound | Fahir Atakoğlu | Music Score Producer |
| Sound | George Korynta | Conductor |
| Production | Yoo Eun-jung | Line Producer |
