An ambitious lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.
| Writing | Jonathan Perera | Writer |
| Directing | John Madden | Director |
| Production | Ariel Zeitoun | Producer |
| Production | Ben Browning | Producer |
| Sound | Max Richter | Music |
| Production | Kris Thykier | Producer |
| Camera | Kerry Hayes | Still Photographer |
| Sound | Thomas Gastinel | Boom Operator |
| Production | Jonathan Oliveira | Casting Associate |
| Camera | Robert Johnson | Key Grip |
| Production | Tiffany Little Canfield | Casting |
| Lighting | Duane Gullison | Rigging Gaffer |
| Editing | Roland Duboué | Dialogue Editor |
| Sound | Bridget O'Driscoll | Supervising Dialogue Editor |
| Art | Matthew Davies | Production Design |
| Art | Mark Steel | Art Direction |
| Crew | Matt Belbin | Digital Effects Supervisor |
| Editing | Kilian Wiedemann | First Assistant Editor |
| Camera | Ron Renzetti | Dolly Grip |
| Art | Peter Nicolakakos | Set Decoration |
| Costume & Make-Up | Robyn Rosenberg | Costume Supervisor |
| Costume & Make-Up | Cliona Furey | Hair Department Head |
| Production | Bernard Telsey | Casting |
| Sound | Clémence Stoloff | ADR Supervisor |
| Sound | Jérémy Babinet | Foley Editor |
| Sound | Cécile Coutelier | Music Editor |
| Lighting | Michael L. Hall | Gaffer |
| Production | Conrad Woolfe | Casting |
| Costume & Make-Up | Georgina Yarhi | Costume Design |
| Visual Effects | Amelie Poitras | Visual Effects Producer |
| Costume & Make-Up | Lou Decampo | Assistant Costume Designer |
| Sound | François Fayard | Supervising Sound Editor |
| Editing | Alexander Berner | Editor |
| Lighting | Alex Lawrence | Lighting Technician |
| Visual Effects | Sébastien Bergeron | Visual Effects Supervisor |
| Crew | Philippe Thibault | Digital Effects Supervisor |
| Costume & Make-Up | Liz Gruszka | Makeup Department Head |
| Art | Ross Fraser | Construction Coordinator |
| Art | Natasha Peschlow | Assistant Art Director |
| Camera | Sean Sealey | Steadicam Operator |
| Visual Effects | Jeff Skochko | Special Effects Supervisor |
| Crew | Frédérique Schmidt | Visual Effects Editor |
| Sound | Fanny Weinzaepflen | Boom Operator |
| Camera | Andrew Schauer | Dolly Grip |
| Sound | Roland Duboué | ADR Editor |
| Sound | Jack Bourdon | Boom Operator |
| Camera | Sebastian Blenkov | Director of Photography |
| Directing | Susan Marucci | Script Supervisor |
| Crew | Nadine Frève | Visual Effects Editor |
| Directing | Aric Dupere | Second Assistant Director |
| Art | Clinton Guitard | Painter |
| Art | Daniel Smallegange | Set Dresser |
| Sound | Anne Le Campion | Sound Recordist |
| Crew | Jason Christpoher Kirk | Scenic Artist |
| Production | Olivier Glaas | Line Producer |
| Camera | Ari Magder | First Assistant "B" Camera |
| Production | Robin M. Reelis | Production Manager |
| Editing | Andrei Lascu | Assistant Editor |
| Production | Mary Fraser | Production Coordinator |
| Camera | Jim Holmes | Best Boy Grip |
| Crew | Amélie Dibon | Post Production Supervisor |
| Crew | Jean Frenette | Stunt Coordinator |
| Crew | Matthew James Gulbranson | Stunt Driver |
| Crew | Travis Staley | Carpenter |
| Crew | Rick Kain | Stunt Driver |
| Camera | Alan G. Kelly | Assistant Camera |
| Camera | Andrew Lounsbury | Second Assistant "A" Camera |
| Directing | Nick Lopez | Third Assistant Director |
| Crew | Jak Oliver | Scenic Artist |
| Sound | Dominique Gaborieau | Sound Re-Recording Mixer |
| Lighting | Kevin Barnes | Best Boy Electric |
| Camera | Ciarán Copelin | First Assistant "A" Camera |
| Directing | Andrew M. Robinson | First Assistant Director |
| Art | Kevin Haeberlin | Leadman |
| Art | Sonja Narizni | Set Dresser |
| Art | Dan Norton | Set Designer |
