A Brooklyn showgirl gets mixed up in a divorce between a soldier and his wife.
| Directing | Harry Beaumont | Director |
| Writing | Mary C. McCall, Jr. | Screenplay |
| Camera | Robert H. Planck | Director of Photography |
| Writing | Wilson Collison | Characters |
| Art | Cedric Gibbons | Art Direction |
| Writing | Harry Ruby | Story |
| Writing | James O'Hanlon | Story |
| Production | George Haight | Producer |
| Art | Edwin B. Willis | Set Decoration |
| Crew | Harry Clork | Additional Writing |
| Crew | Howard Emmett Rogers | Additional Writing |
| Sound | David Snell | Original Music Composer |
| Sound | Robert Franklyn | Original Music Composer |
| Sound | Lennie Hayton | Original Music Composer |
| Sound | Bronislau Kaper | Original Music Composer |
| Camera | William H. Daniels | Director of Photography |
| Editing | Frank E. Hull | Editor |
| Art | Howard Campbell | Art Direction |
| Production | Hugh Boswell | Unit Manager |
| Directing | Charles O'Malley | Assistant Director |
| Art | Helen Conway | Set Decoration |
| Sound | Douglas Shearer | Sound Director |
| Sound | Standish J. Lambert | Sound Re-Recording Mixer |
| Sound | Frank McKenzie | Sound Re-Recording Mixer |
| Sound | Robert Shirley | Sound Re-Recording Mixer |
| Sound | William Steinkamp | Sound Re-Recording Mixer |
| Sound | Michael Steinore | Sound Re-Recording Mixer |
| Sound | P. Richard Stevens | Sound Mixer |
| Sound | John A. Williams | Sound Re-Recording Mixer |
| Visual Effects | A. Arnold Gillespie | Visual Effects |
| Camera | Irving Glassberg | Camera Operator |
| Costume & Make-Up | Irene | Costume Supervisor |
| Sound | Wally Heglin | Orchestrator |
| Sound | M.J. McLaughlin | Music |
| Sound | William Saracino | Music |
