When dashing outlaw Brett Harris (Nick Olson) and dimwitted sheriff Frank Hopperkin (Jalen Jensen) learn their siblings are getting engaged, the two mortal enemies resolve to put aside their differences and work together to stop the wedding. Thrills, laughs, and tears abound in this genre defining Northwestern from WRALKAT studios, and the cesspool of comedic genius that is the collective minds of writers Nick Olson and Ryan Garner. Featuring a mind blowing soundtrack by Luke Frugia and Kenna Phillips.
In the 1800s, two cowboys meet in a bar to trade a female criminal mastermind for a significant price, but they soon discover they are not as in control of the situation as they think.
A town of outlaws - shortly after the American Civil War: The mute bounty hunter Moses Cane is to eliminate smallpox patients for the local sheriff. Meanwhile, the washed-up ex-colonel Emerson and a gang of shady scoundrels are hired by the unscrupulous town ruler Bennett to recover his stolen gold. Soon, however, the two cross paths, and he inevitably leads them to gold. Gold that everyone is now willing to kill for. No matter whom...
This was made as part of the 2014 48 hour film project In Cape Town. 48 hours to script, shoot and edit a short film. Winner of 10 awards including "Best Film" These were the mandatory requirements. Genre given: Western (include elements of the genre) Prop: Envelope Character to Include: Neil Msimang Line of dialogue: "You gona learn"
Crimea. The middle of the 19th century. A proud and brave jigit Alim Aidamak who cannot put up with the workers’ abuse, works at the leather factory of the greedy Ali-bay. One day he responds in kind. He is fired, but he takes the memories of the beautiful daughter of his ex-master, Sara, with him. Young people went their separate ways. Alim takes the revolutionary path; he and his friends go to the mountains and start an underground struggle. Only his name is enough to terrify landlords, Mirzas and civil servants. Authorities send a Cossack detachment to catch the Crimean Tatar Robin Hood. The adventure film, which reminds an American western, was filmed based on a Crimean Tatar legend, which in 1925 was turned into a play by the repressed Crimean Tatar writer Ipchi Ümer. The shooting of the film under the script of the Ukrainian avant-garde poet Mykola Bazhan began in the autumn of 1925, when the indigenisation policy in the national republics caused demand on the national plots.
