Framed by Major Jenkins, Capt. Travers is kicked out of the Army. When Travers, now living with the Indians, is captured by Jenkins, the Indians attack the fort. With his men greatly outnumbered Colonel Burke realizes that Travers is their only chance.
In a small western town in the late 1800′s, two outlaws take a blind preacher, his wife and an Indian girl as hostages in their flight from the law. Excitement mounts when Dan, one of the outlaws makes a shocking discovery. The last train to Cortez lays bare the agony that torments Dan but the train brings an unexpected surprise.
Steve Packard is the ne'er-do-well son of an Arizona ranching baron. Upon his father's death, Steve returns from his days as a South Pacific beach bum to protect his father's estate, which has fallen into the hands of Steve's estranged grandfather. The grandfather's foreman, Joe Blenham, attempts to wrest the ranch from Steve's rightful inheritance, whether the means are legal or not.
Wild Bill Saunders discovers that his uncle Mort has been murdered by an unscrupulous ranch foreman, Matt Brawley. But before he can right Brawley's wrongs, Wild Bill is arrested for a murder he didn't commit. Sidekick Cannonball Sims and disgruntled girl rancher Joan Darcy plot to break Wild Bill out of jail but Brawley is wise to their plan.
Outlaw Al Jennings is idolized by a young boy who wants to be just like him. Jennings decides to take the boy on a three-day "tryout" to show him that the life of an outlaw is not one he wants to live.
Western star Charles Starrett makes one of his periodic forays into the Great White North in Columbia's Royal Mounted Patrol. When villainous lumberman Frenchy Duvalle refuses to limit his wood-chopping activities, he inadvertently touches off a forest fire. Trapped in the middle of the conflagration, Frenchy's only hope for rescue is mountie Tom Jeffries, presently scouring the countryside in his scout plane. Jeffries' reasons for bringing Frenchy out safely are twofold: he must deliver the renegade lumberjack to the authorities, and he happens to be in love with Frenchy's sister Betty.
Two men are on their way to Denver City to settle a personal score. One is looking for the murderer of his father, the other for a former friend who stole his gold. They're joined by a third person, a mysterious pistolero.
The Transcontinental Broadcasting Company sends a sound truck and equipment to a ranch to obtain an audition from "Santa Fe" Evans and his musical cowboys (Oscar Gahan, Lloyd Perryman, Robert "Curley" Hoag, Rudy Sooter and Sherry Tansey.) Carver, arch enemy of Evans and a rival for the love of Carol Sheldon, fails in an attempt to spoil the audition. Carver frames Mr. Sheldon and Carol's brother Buddy on a charge, by Al Jensen, of receiving cattle stolen from him by Evans. Carver blames Evans for all of the Sheldon's troubles and, what with one thing or another, it looks like Evans and his cowhands will miss the big broadcast.
A thug robs and kills a fur trapper. He is caught and locked up by the Mounties, but is soon broken out by his partner. As the Mounties investigate, they discover that the two are part of a ruthless crime ring run by a female gangster.
Spirited story of West, which begins after the hero has spent four years overseas and has left the army so much of a fighting devil that he becomes embroiled in a mix-up. Learning that his antagonist has died from wounds is the reason for the hero going West, when he meets a tramp who is on his way to join a gang of outlaws and who invites the ex-soldier to join.
It's the ranchers whose cattle are dying of thirst versus Henry Dodge whose dam holds all the water. When windmills are built and they start pumping water, Dodge has them blown up. When a court order forces him to release the water, he decides to blow up the dam and flood the valley.
Outlaws of the Pandhandle was the last of Charles Starrett's "formula" westerns for Columbia: hereafter, Starrett would be seen only in the guise of frontier medico Steven Monroe or masked do-gooder The Durango Kid. For the moment, however, the star is cast as Jim Endicott, bound and determined to put an end to the underhanded activities of gin-mill operator Faro Jack Vaughn (Norman Willis). The villain's strategy is to get the local cowpunchers tanked up on rotgut that they'll prove to be easy pickings for a gang of rustlers-and will be unable to complete work on a railroad spur which will bypass the outlaws' hideaway.
Montana Rivers finally escapes her father who had forced her to wear men's clothing and help in robbing and cheating. She is taken in by friendly Indians and stays at their camp. Later, Akkomi, chief of the tribe, asks his friend Dan Overton to take the girl as it is not good for her to remain in the camp. Dan provides for "Tana" and falls in love with her but, because of her past, she keeps him at a distance. Jim Harris comes by and recognizes Tana as the boy robber, but when he attempts to blacken her past, Dan gives him a beating which paralyzes him. Jim then stays on with Dan, who regrets his hastiness. Eventually Tana's father appears and demands that Tana go away with him. She refuses but also does not tell Dan of this trouble.
Reno Bill, a desperado, discovers the sheriff and the express agent in the act of holding up the stage. The next day Reno Bill is captured by Fred Church and his young assistant, when they find him annoying a pretty young girl. They take him to jail and when the bandit sees the sheriff and agent he contemptuously tells Church of their treachery.
In the 56th (and next-to-last serial) made by Columbia Pictures, Montana Deputy Dan Lawson, posing as an outlaw called Laramie, goes to the Canadian northwest on the trail of Bart Randall who is wanted for murder and bank robbery in the states. In Canada, Randall is a little more upscale and uses a hydra-plane and a fake totem to over-awe the Indians. Laramie is aided in his search by RCMP Sergeant Gray and by Donna Blane, who is suspected at first of giving information to Randall, but who is actually a Canadian secret agent investigating Randall's gun-trading with the Indians.
In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.
Americans come west to California in the hope of peaceful settlement. Roy and Gabby sing a duet: "We're Not Coming Out Tonight." Other songs include "Sundown on the Rangeland" and "Ride on Vaquero."
Dual follows drifter Luke Twain in the late 1800s when he discovers a town where all the inhabitants has been brutally murdered. Making a choice to remain and uncover what took place there, he finds himself in a strange game of cat and mouse with a mysterious man that still has one final mission...
