Set during WWII and loosely based on real-life events, a warship carries hundreds of Australian soldiers across the Timor Sea to the frontline of WWII. Suddenly, Japanese fighter jets scream out of the sky, and within minutes the ocean becomes a hell of steel, fire, oil and blood. While a handful of soldiers build a makeshift raft from floating debris as they cling to their lives, their biggest battle is yet to come. In the dark below, the ultimate apex predator — a great white shark — hunts in the wreckage and is drawn to the smell of fresh blood in the water.
Regarding field training as the best training to prepare for real combat, platoon leader Sung Jin and his soldiers overcome all the unexpected and untoward circumstances with indomitable fighting spirit and endurance and striking tactics.
Built on archive footage – much of it previously unseen – this film reveals one of the most unexpected legacies of the First World War -- popular participation in sports, once the realm of the elite. For four years, sport represented a welcome respite from the killing fields of Europe.
This anti-Communism film uses animation to tell the story of two brothers, one of whom receives training for hemispheric subversion in Cuba and returns to his own country to spread violence and terror. He realizes his mistake when, in the course of trying to destroy an experimental farm, his actions bring about the death of his brother Gustavo. Produced by Copri International Films, Inc. (Miami, FL) and directed by Jose D. de Villegas.
This feature length documentary is a personal account of the siege of Sarajevo from the point of view of a Bosnian Australian, Tahir Cambis, who spent the last six months of the war filming the conflict and its effects on the civilian population. The two main subjects in the film are a Sarajevo family whose young daughter is killed a day after she is filmed in a dance competition; and an 8 year old girl, Amira, whose eye witness account of murder and rape becomes a diary of catharsis.
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival
