The story tells the life of a photographer who lived in areas of Iraqi Kurdistan and in areas where there was genocide. He has photographed the people of the villages and towns in the areas. And after a long time more than 25 years, the negative films passed from one owner to another. Recently one from the village of Asker found out about those pictures. then he starts searches from one village to another looking for the relatives of those missing in Anfal Military operations. He wants to give them the photographs of their missing people. With every photo, there are touching stories. For example, an old man and an old woman lost their five children in 1988 and have no pictures. Thirty years later, They are able to see pictures of their five children.
It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors.
A young soldier of the future is running from the troops of an alien army that is carrying out a genocide. Maybe, he's the last survivor. Alone and foreign in his own world, he searches for a way to still give meaning to his life.
Set in the Vietnam war, two helpless soldiers who are on the brink of escaping the war are suddenly ambushed. This causes the ex solider to reflect on the decisions he made that day which still haunt him.
It is Christmastime, 1914, and World War I rages. A young French soldier named Pierre who had quietly left his regiment to visit his family for two days is imprisoned when he returns.
A hidden gem produced at the height of the Hong Kong left-wing cinema. The Japanese army wants to force resistance leader Cheung (Bow Fong) to appear by capturing his family. Cheung's wife dies and, despite the protection by the nurse Yeung (Chu Hung) and other villagers, Cheung's daughter is captured. In the end Cheung's subordinate Lee Fu (Jiang Han) regroups with the resistance and saves the day, defeating the enemy and rescuing everyone. This film clearly references wartime productions in the mainland of China, with elements such as the Japanese taking hostages, resistance guerilla fighters, and the contrast between ‘heroes' and ‘villains' made obvious through camerawork and make-up designs. Street scenes shot in Macau merge seamlessly with studio scenes to recreate northern Chinese towns. War epics were not a strong suit of Hong Kong cinema. This film takes inspirations from Euro-American spy films and pays attention to character development and the mise-en-scène.
The regime of the Nazi Party inflicted terror, destruction, and brutal horrors throughout the Third Reich. Ideas of making Germany great again indoctrinated the German people to support them indefinitely, hiding the mass slaughter of human life behind their convincing propaganda campaigns. Hitler and his disturbed Henchmen made this genocide possible, each man as deranged as the next. Their dedication to the Fuhrer was absolute, and to gain his validation they were willing to do anything.
A terrified young girl, Silvia, finds refuge from the horrors of war in a barn, before her worst fears come true. The menacing figure of a man, Albrecht, appears in the doorway, blocking her only escape...
At the beginning of the German occupation, the boy and his older teenage sister are left without adults with a museum collection of coins and orders in their hands. Germans and policemen are looking for treasure, chasing children literally on their heels. In order to find the missing mother and save the treasure, the sister and brother need to find protection and help from the partisans.
Because they were considered disobedient to the Japanese Government, four Japanese officers came to the Sukamanah Islamic Boarding School to force KH Zainal Mustafa to be taken to Tasikmalaya. Hundreds of students stood in front of the Sukamanah Islamic Boarding School armed with bamboo swords. All four Japanese officers were killed. In response the Japanese Government sent troops in greater numbers. Many Santri died as martyrs in the battle known as the bloody Sukamanah incident. The incident occurred on February 25, 1944.
The central character is a 7 year old girl called Sachiko. She has just lost her immediate family in the firebombing of Tokyo and takes the train to her uncle’s family in Kumagaya in Saitama Prefecture. She is not out of danger yet, for the train gets shot at by a plane along the journey. Her uncle meets her at the station and he and his whole family welcome her with open arms. With her cousins, Sachiko explores the beauty of the natural landscape around Kumagaya. Sadly, these beautiful days of late summer are not to last. The final movement of the film depicts the final air raid of the war. The city descends into fear and chaos and Sachiko gets separated from her family with tragic results.
