At the height of the Cold War in the 1980s, a civil war between socialist-influenced Sandinistas and US-backed Contras ravaged Nicaragua. Using rare archival footage and contemporary interviews, American/Sandinista tells the story of a controversial group of US engineers who went further than anyone expected and paid the ultimate price.
The film depicts life in Iraq during the Iraq-Iran war through the characters of the fighters Jabbar and Imad (played by Jalal Kamel and Nizar Al-Samarrai). They live in the city of Basra and the Iraqi countryside amidst the war atmosphere. Jalal develops a love relationship with the beautiful girl Soha, and they both join their military duties.
(Nadia), who was born and raised in (France), returns to (Iraq) to rediscover her roots and origins. During this journey, (Nadia) gradually uncovers the story of her grandfather, Haj (Najm) Al-Baqal, the owner of the date shop, and the man who was one of the prominent leaders of the revolution in (Najaf) against British colonialism in 1918. The film sheds light on the impact that Haj (Najm) Al-Baqal's struggle left on the people of (Najaf).
In 1917, the people of the Russian Empire are no longer willing to fight Germany, but the bourgeois government of Alexander Kerensky is unwilling to defy its imperialist allies and stop the war. Only Vladimir Lenin’s Bolshevik Party is resolute in calling for peace. In the front, the soldiers of one battalion elect three delegates to travel to St. Petersburg with donations the troops collected for the Pravda newspaper: Gudushauri, Panasiuk and Ershov. The three arrive in the capital and describe the horrendous conditions in which the soldiers live to Joseph Stalin, Lenin’s trusted aid and colleague. They join the Bolsheviks and take part in the storming of the Winter Palace, led by Stalin and Lenin. Stalin announces that the great dawn of revolution has broken.
The first Iraqi film influenced by the Italian neorealism film movement, characterized by stories set amongst the poor and the working class. The plot revolves around a devoted husband deeply in love with his ailing wife, rushing her to the hospital in the late hours of the night. Seeking urgent medical attention, he pleads with the on-call doctor to treat her. However, faced with a negative response from the doctor, the husband, overcome with anger and desperation, unleashes a furious attack, tragically leading to the doctor's demise.
The sequel to the 2014 ISIS propaganda film "Flames of War", depicting the organization's operations in Syria and Iraq as well as Egypt after the group's loss of Mosul and Raqqa.
Dramatized biopic of Andrew Pereiro, a Spaniard who fought during World War II in the ranks of the 29th Infantry Division of the US Army, the famous Blue and Gray. Andrea Pereiro, as a child, traveled to the United States with his mother, escaping the Spanish Civil War, to reunite with his father who had already been there for some time.
An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.
An exploration of how the U.S. military employs video game technology to train troops for war. Filmed at the United States Marine Corps Air Ground Combat Center, Watson is Down pairs footage of soldiers at computers engaging in combat-simulation training with scenes from the video games.
In the midst of the Algerian liberation war, two characters, a meddah (traditional storyteller) and a guerrab (water distributor), having become aware of their subhuman condition in their own country, join the National Liberation Army (ALN) to fight against inhumane colonialism. They will climb the ranks to become political commissioners before falling on the field of honor, the first in a skirmish and the other in Barberousse prison (Serkadji) where he will be guillotined.
Pas De Blanc À La Une, by Youcef Bouchouchi, treatises the brutality of the conflict during the war of independence in Algeria from 1854 to 1962, and the systematic use of torture which pushes even the most hesitant to make up their minds.
