Two illegal fighters hide from Ustasha regime in the abandoned villa from which Jews are expelled. Tensions arising from their situation mixes with thoughts of the previous owners of the place.
2024: The war against the aliens is lost. The superior "Xenos" have taken over the rule within only four weeks and they killed more than 90% of the world's population. This genocide is called "Great Purge".
Missing in action in Vietnam for thirty nine years, the remains of Lt. Jack E. Buchannon, U.S.M.C., are found and identified. He is brought home and awarded the medal of honor and is buried as a fallen hero. His three childhood best friends, all ex-marines and Vietnam veterans, get together after attending the funeral to raise a toast, look back on their lives, their friendships and their service to the country.
This is cartoon parable. Despite the fact that mankind is killed, the war still continues. War continued with automated system left by people. One of the last surviving bomber and its pilot still performs its task. The city is dead for a long time. Dead people who built it. Dead people who gave the order to destroy the city. And war will continue until subside echo of humanity.But life will always find a way to survive. Cassette bomb submunitions became a fortress for the grass.
A young Afghan woman, Nabilah, is injured in an accident. While her brother is trying to get help, German soldiers take her to a military base. Since the residents of Nabilah’s home town must not know of her physical contact with foreign men, a race for her life begins.
At the Sino-Vietnamese border, a group of nine people headed by a deputy company commander and a platoon commander braved the enemy's intensive artillery fire to the No. 3 post, a natural cave, and began three months of hard fighting.
Producer Samuel Cummins, along with five participants in World War I, discuss the key events of the war as illustrated by an assemblage of battlefield and other documentary footage. This film is not the same as, but seems likely to have either inspired or been inspired by, Norman Lee's British production of the same title (q.v.), apparently released the following year.
A collection of stories set during the Spanish Civil War, ranging from an account of Republican executions in a Madrid bombarded by Franco's forces and his fascist allies, to an Andalusian marquess who sets out to hunt communists with his personal death squad, to a militia woman who saves the life of a right-wing lawyer out of compassion.
In December 1987, the (first) Palestinian Intifada broke out and the Occupied Territories were set alight with a mass wave of demonstrations, protesting the ongoing Israeli occupation – the largest scale, longest-running ones seen in the area since 1967. The IDF was sent in to quash the uprising and before long, TV screens across the country were inundated with footage of burning tyres, stones thrown about, and baton-wielding Israeli soldiers chasing after teens and children. In the face of this new reality that made the question of the Occupied Territories the single most pressing issue of the time, the Jerusalem Film Festival went ahead and commissioned the following project. The result is a classic, Heffner-esque film – an intelligent labyrinth containing the most fundamental of Israeli tropes: The Holocaust; Arabs; us vs. them – all of which find themselves clashing and intermingling, and ultimately rendering the viewers helpless and cringing with awkwardness.
The story of a Korean who, since childhood, lived under the rule of Japanese invaders. During the Korean War, the hero devotes all his strength to the fight against the aggressors, worthily serving the homeland he loves.
The Ukrainian chaplain trying to get out of the Donbas gray area, stumbles upon a shot convoy of separatists, where he encounters a mortally wounded mercenary and is faced with a choice - to help or continue to flee, but suddenly inadvertently steps on an antipersonnel mine.