Stevie Ray Vaughan and Double Trouble burn it up at the El Mocambo, a small club, performing a small set list. During the concert Vaughan pulls off some Hendrix style guitar heroics. He does whammy bar tricks, bangs it on he floor, and makes noises with it. He also plays it behind his back.
Although the free jazz movement of the 1960s and '70s was much maligned in some jazz circles, its pioneers - brilliant talents like Ornette Coleman, Cecil Taylor, Sun Ra, Albert Ayler, and John Coltrane - are today acknowledged as central to the evolution of jazz as America's most innovative art form. FIRE MUSIC showcases the architects of a movement whose radical brand of improvisation pushed harmonic and rhythmic boundaries, and produced landmark albums like Coleman's Free Jazz: A Collective Inspiration and Coltrane's Ascension. A rich trove of archival footage conjures the 1960s jazz scene along with incisive reflections by critic Gary Giddins and a number of the movement's key players.
Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.
Jonathan Littell revived Monteverdi’s baroque and decadent opera L’incoronazione di Poppea in a modern and fantastic production. From allusions to the Roman era, to the Renaissance and modern age, Little twists shamelessly Monteverdi’s score to highlight the dialogues and create a background music. The Coronation shatters the film-opera’s cliché only to better put it back together, with patience and clockwork precision.
A group of six guys and three girls who meet in college become thick friends and eventually take their friendship beyond the classroom and the campus. All goes well for the group until they are faced with sudden crisis. The event strengthens the group's bond as they struggle hard to overcome the situation.
Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. An early entry in the Met’s series of PBS telecasts, this 1978 performance captures a young James Morris in a smooth portrayal of the title role, with the legendary Joan Sutherland showing off her unsurpassed technique as Donna Anna and Gabriel Bacquier as a masterful Leporello.
A ten-year old film when it was first released in the USA as "Symphonie D'Amour" in 1946. Panard (Fernand Gravet) is a talented composer who is having little success in his musical career. He is reduced to hiring out as a sandwich-board man to advertise what proves to be his own show. His girl, Jacqueline Francell, interests a Marquis in backing the show. She and Panard are happily reunited after the successful opening of his operetta.
Jimmy Durante asks popular song writing team Mack Gordon and Harry Revel to demonstrate some of their songs. There is interplay with impersonator Florence Desmond, Ben Turpin, Rudy Vallee and many others.
These archetypal Southern Californians, who transmuted their experiences growing up in suburban Hawthorne into a potent teen iconography orbiting surfing, cars, and girls, tackle the underlying personal and cultural upheavals beneath their discography. Intelligently assembled with over 40 songs dispersed throughout, ENDLESS HARMONY works not just as a rockumentary but as an important historical document of American music.
Updating "Thriller" for the "Twilight" generation, "Nowhere Left to Run" is a blood, sweat and scream-soaked vampire spectacular soundtracked by songs from McFly's latest album, Above the Noise, including huge, hit singles "Party Girl" and Taio Cruz collaboration "Shine a Light". Fun, frightening and fast-paced, glossily-produced and featuring gorgeous female fans with fangs, this is McFly as even their mothers would be scared to see them. The 30 minute film follows the boys from a daytime TV sofa to an isolated mansion where they try to ensure the future of McFly by taking their shirts off and plotting to murder one of their members.
Alone in her apartment during the pandemic, Natalie turns to her favorite classic movies to keep her company. When her life in color gradually begins to turn to black-and-white, she takes a magical tour through film history, recreating a dazzling array of classic movie scenes.
Saanjh marks the debut of Producer and Director, Ajay K Saklani, who, through this movie attempts to bring to the fore the lesser known Himachali language and tries to revive the almost forgotten Tankri Script. Saanjh is the first feature film to have been made and released in the Western Himalayan/ Pahari language. The serenity of village life amidst the Himalayas reaches the peak of sublimity as the visual tour is accompanied by some of the most melodious songs rendered by Mohit Chauhan and Pavithra Chari which strike the heart strings of even those who are unfamiliar with the Pahari dialect. The movie provides a perfect audio-visual setting for a beautiful confluence of the emotional journeys of a daughter, a mother and an orphaned boy as the sun sets on their lives and dusk sets in. Saanjh was the first film in Himachali dialect to be released in cinema halls across India.
