In the 1970s, a British sound technician is brought to Italy to work on the sound effects for a gruesome horror film. His nightmarish task slowly takes over his psyche, driving him to confront his own past.
Directing | Peter Strickland | Director |
Production | Keith Griffiths | Producer |
Camera | Nicholas D. Knowland | Director of Photography |
Production | Robin Gutch | Executive Producer |
Editing | Chris Dickens | Editor |
Production | Katherine Butler | Executive Producer |
Art | Jennifer Kernke | Production Design |
Writing | Peter Strickland | Writer |
Production | Hugo Heppell | Executive Producer |
Production | Mary Burke | Producer |
Costume & Make-Up | Julian Day | Costume Design |
Art | Sarah Finlay | Art Direction |
Sound | Joakim Sundström | Supervising Sound Editor |
Costume & Make-Up | Shahida Day | Wardrobe Supervisor |
Costume & Make-Up | Karen Hartley-Thomas | Hair Designer |
Editing | Linda Forsén | Dialogue Editor |
Sound | Christer Melén | Sound Effects Editor |
Sound | Phil Canning | Music Supervisor |
Directing | Marinella Setti | Script Supervisor |
Camera | Jake Polonsky | Camera Operator |
Costume & Make-Up | Karen Hartley-Thomas | Makeup Designer |
Costume & Make-Up | Karen Teitge | Makeup Artist |
Costume & Make-Up | Victoria Wallen | Makeup Artist |
Crew | Rod Woodruff | Stunt Coordinator |
Camera | Jack English | Still Photographer |
Camera | Tim Sidell | Camera Operator |
Production | Michael Weber | Executive Producer |
Sound | Doug Cooper | Sound Re-Recording Mixer |
Sound | Stevie Haywood | Sound Recordist |
Sound | James Cargill | Music |
Sound | Trish Keenan | Music |
Sound | Heikki Kossi | Foley Supervisor |
Production | Shaheen Baig | Casting |