In the far-flung future of 2025, where man is a victim of his own technology and corporations deal to a black market that trades in human body parts, a cyborg bounty hunter is hired by a wealthy woman to find out who murdered her husband.
| Production | Roger Corman | Executive Producer |
| Production | Mike Elliott | Producer |
| Directing | Damian Klaus | Director |
| Writing | Catherine Cyran | Screenplay |
| Crew | Ken Arlidge | Cinematography |
| Sound | Stan Ridgway | Original Music Composer |
| Sound | Paul Di Franco | Music Supervisor |
| Production | Catherine Cyran | Co-Producer |
| Production | Mike Upton | Production Coordinator |
| Editing | Richard Gentner | Editor |
| Production | Michele Weisler | Unit Production Manager |
| Writing | Damian Klaus | Writer |
| Production | Jonathan Winfrey | Associate Producer |
| Art | Johan le Tenoux | Production Design |
| Sound | Scott Singer | Original Music Composer |
| Costume & Make-Up | Jami Burrows | Costume Design |
| Art | Colin De Rouin | Art Direction |
| Art | Regina O'Brien | Set Decoration |
| Crew | Paul Maslak | Fight Choreographer |
| Crew | Merritt Yohnka | Stunts |
| Crew | Glory Fioramonti | Stunts |
| Crew | Eugene Collier | Stunts |
| Crew | Greg Gault | Stunts |
| Crew | Eric Lee | Stunts |
| Crew | Gerry Blanck | Fight Choreographer |
| Crew | Stan Longinidis | Stunts |
| Crew | Paul Maslak | Stunts |
| Crew | Patrick J. Statham | Stunt Coordinator |
| Crew | Ellen Statham | Stunts |
| Crew | Don Wilson | Fight Choreographer |
| Crew | Alex Desir | Stunts |
| Crew | John Branagan | Stunts |