Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.
Camera | Gordon Willis | Director of Photography |
Directing | Woody Allen | Director |
Editing | Susan E. Morse | Editor |
Production | Charles H. Joffe | Executive Producer |
Production | Jack Rollins | Executive Producer |
Sound | Dick Hyman | Original Music Composer |
Production | Robert Greenhut | Producer |
Writing | Woody Allen | Writer |
Production | Michael Peyser | Associate Producer |
Production | Juliet Taylor | Casting |
Costume & Make-Up | John Caglione Jr. | Makeup Artist |
Art | Speed Hopkins | Art Direction |
Art | Mel Bourne | Production Design |
Production | Michael Peyser | Production Manager |
Costume & Make-Up | Santo Loquasto | Costume Design |
Costume & Make-Up | Romaine Greene | Hair Designer |
Costume & Make-Up | Werner Sherer | Hairstylist |
Art | Leslie Bloom | Set Decoration |
Costume & Make-Up | Fern Buchner | Makeup Designer |
Sound | Dan Sable | Supervising Sound Editor |
Crew | John Edward Allen | Thanks |
Crew | Ken Murray | Thanks |
Directing | Kay Chapin | Script Supervisor |
Crew | Irwin Young | Thanks |
Editing | Pamela Scott Arnold | Assistant Editor |
Crew | James Fanning | Transportation Captain |
Sound | James Sabat | Production Sound Mixer |
Visual Effects | Stuart Robertson | Visual Effects Supervisor |
Sound | Louis Sabat | Boom Operator |
Sound | Rick Dior | Sound Re-Recording Mixer |
Production | Paula Herold | Casting Associate |
Production | Timothy M. Bourne | Location Manager |
Crew | David J. Schweitzer | Special Effects |
Camera | Kerry Hayes | Still Photographer |
Crew | Patrick Hogan | Driver |
Lighting | Ray Quinlan | Gaffer |
Crew | Gail Sicilia | Unit Publicist |
Production | Helen Robin | Production Coordinator |
Camera | Dick Mingalone | Camera Operator |
Camera | Ronald Burke | Grip |
Editing | Richard Nord | Assistant Editor |
Crew | Cosmo Sorice | Scenic Artist |
Sound | Frank Graziadei | Sound Recordist |
Art | James Mazzola | Property Master |
Directing | Frederic B. Blankfein | First Assistant Director |
Directing | Tony Gittelson | Second Assistant Director |
Production | Ezra Swerdlow | Unit Manager |
Directing | Duncan Scott | Additional Second Assistant Director |
Directing | Jim Chory | Additional Second Assistant Director |
Directing | Thomas A. Reilly | Assistant Director |
Sound | Marjorie Deutsch | Sound Editor |
Art | Janet Rosenbloom | Set Decoration |
Art | Joseph Badalucco Jr. | Lead Set Dresser |
Crew | James Sorice | Key Scenic Artist |
Camera | Douglas C. Hart | Assistant Camera |
Camera | Bob Paone | Second Assistant Camera |
Sound | Roy B. Yokelson | Sound Engineer |
Crew | Danny Daniels | Choreographer |
Camera | Robert Ward | Key Grip |
Art | Arne Olsen | Construction Grip |
Lighting | Robert Connors | Best Boy Electric |
Costume & Make-Up | Tom McKinley | Costume Assistant |
Costume & Make-Up | Richard Hornung | Costume Assistant |
Costume & Make-Up | Lyn Carroll | Costume Assistant |
Costume & Make-Up | Bill Christians | Wardrobe Supervisor |
Costume & Make-Up | Lancey Saunders Clough | Wardrobe Supervisor |
Art | Joan Lopate | Art Department Coordinator |
Production | Todd M. Thaler | Assistant Production Coordinator |
Crew | Carl Turnquest | Projection |
Art | Cheryl Hill | Location Scout |
Art | Carol Nast | Location Scout |
Art | Susan Rollins | Location Scout |
Art | Ken Rothstein | Location Scout |
Sound | Lynn Sable | Apprentice Sound Editor |
Sound | Janet Lund Robbins | Apprentice Sound Editor |
Sound | Randall Coleman | Assistant Sound Editor |
Sound | Gina Roose | Assistant Sound Editor |
Sound | Fred Rosenberg | Assistant Sound Editor |
Sound | Harry Peck Bolles | Assistant Sound Editor |
Sound | Jeffrey Stern | Assistant Sound Editor |
Sound | Debra Bard | Assistant Sound Editor |
Sound | Suzanne Pillsbury | Assistant Sound Editor |