A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.
| Directing | Barry Feinstein | Director |
| Sound | Donald Hahm | Sound Engineer |
| Sound | Phil Ramone | Sound Engineer |
| Production | A. Joseph Tandet | Associate Producer |
| Production | Barry Feinstein | Producer |
| Production | Alan Pariser | Unit Production Manager |
| Editing | Stuart H. Pappé | Editor |
| Production | Peter Yarrow | Producer |
| Production | Phil Ramone | Associate Producer |
| Camera | Barry Feinstein | Director of Photography |
| Production | Michael Butler | Producer |
