Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.
Sound | Hans Zimmer | Original Music Composer |
Production | David M. Thompson | Producer |
Art | Jim Clay | Production Design |
Production | Bob Weinstein | Executive Producer |
Production | Harvey Weinstein | Executive Producer |
Production | Simone Bär | Casting |
Production | Deborah Aquila | Casting |
Art | Giles Masters | Art Direction |
Art | Andrew Ackland-Snow | Art Direction |
Production | Gary Davy | Casting |
Production | Jennifer L. Smith | Casting |
Camera | Ross Emery | Director of Photography |
Directing | Simon Curtis | Director |
Art | Caty Maxey | Art Direction |
Sound | Martin Phipps | Original Music Composer |
Production | Kris Thykier | Producer |
Visual Effects | Mark Holt | Special Effects Supervisor |
Production | Tricia Wood | Casting |
Sound | Christoph Bauschinger | Music Editor |
Editing | Peter Lambert | Editor |
Sound | Alastair Sirkett | Sound Effects Editor |
Art | Dominic Masters | Supervising Art Director |
Visual Effects | Angela Barson | Visual Effects Supervisor |
Writing | Alexi Kaye Campbell | Writer |
Directing | San Davey | Script Supervisor |
Costume & Make-Up | Norma Webb | Key Hair Stylist |
Costume & Make-Up | Norma Webb | Key Makeup Artist |
Sound | Ian Wilson | Supervising Sound Editor |
Sound | Andrew Glen | Music Editor |
Directing | Rebecca Boyle | Script Supervisor |
Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
Production | Len Blavatnik | Executive Producer |
Costume & Make-Up | Peter Paul | Costume Supervisor |
Sound | Maggie Rodford | Music Supervisor |