To save his career, an ad man wants a sex symbol to endorse a lipstick but in exchange, she wants him to pretend to be her lover.
| Directing | Frank Tashlin | Director |
| Writing | Frank Tashlin | Screenplay |
| Writing | George Axelrod | Theatre Play |
| Production | Frank Tashlin | Producer |
| Sound | Cyril J. Mockridge | Original Music Composer |
| Camera | Joseph MacDonald | Director of Photography |
| Editing | Hugh S. Fowler | Editor |
| Art | Leland Fuller | Art Direction |
| Art | Lyle R. Wheeler | Art Direction |
| Costume & Make-Up | Charles LeMaire | Costume Design |
| Writing | Frank Tashlin | Screenstory |
| Art | Bertram C. Granger | Set Decoration |
| Art | Walter M. Scott | Set Decoration |
| Costume & Make-Up | Ben Nye | Makeup Artist |
| Costume & Make-Up | Helen Turpin | Hairstylist |
| Directing | Joseph E. Rickards | Assistant Director |
| Sound | Frank W. Moran | Sound |
| Sound | E. Clayton Ward | Sound |
| Sound | Ray Bomba | Sound Editor |
| Sound | Ralph Hickey | Sound Editor |
| Sound | Jim Leppert | Sound Editor |
| Visual Effects | L.B. Abbott | Visual Effects |
| Editing | Leonard Doss | Colorist |
| Editing | Lyman Hallowell | Assistant Editor |
| Sound | Lionel Newman | Conductor |
| Sound | Edward B. Powell | Orchestrator |
| Sound | Earle Hagen | Orchestrator |
| Sound | Bernard Mayers | Orchestrator |
| Sound | Ken Darby | Vocal Coach |
