At the Doll House, a 1930s New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he travelled from Texas and who is now the Doll House newest recruit.
Editing | Harry Gerstad | Editor |
Art | Richard Sylbert | Production Design |
Sound | Elmer Bernstein | Original Music Composer |
Sound | Elmer Bernstein | Songs |
Writing | Nelson Algren | Novel |
Production | Charles K. Feldman | Producer |
Sound | George Cooper | Sound |
Art | Saul Bass | Title Designer |
Writing | John Fante | Screenplay |
Costume & Make-Up | Charles LeMaire | Costume Design |
Sound | Leo Shuken | Orchestrator |
Camera | Joseph MacDonald | Director of Photography |
Art | William Kiernan | Set Decoration |
Directing | Edward Dmytryk | Director |
Sound | Charles J. Rice | Sound Supervisor |
Writing | Edmund Morris | Screenplay |
Costume & Make-Up | Ben Lane | Makeup Supervisor |
Sound | Jack Hayes | Orchestrator |
Sound | Mack David | Songs |
Directing | Floyd Joyer | Assistant Director |