For John Cuttin it all started with the first sip of the wine of her life. A "Marzemino", a typical wine of the province of Trento, quoted by Lorenzo Da Ponte in his libretto for "Don Giovanni" by Mozart. The instant he tasted the blood-red drop of nectar John felt a sort of pleasant and mysterious explosion of the senses, and from that moment on, his nature is transformed. In just three years, from shy bank clerk and faithful husband became director, tombeur de femmes and the most revered and respected expert on wine in Italy. Just as he had predicted the enigmatic "Professor" who had convinced him to taste his first glass of wine. The only event that the "Professor" with his accent and his piercing blue eyes, had not predicted was that he would soon be charged with the murder of his wife Adele. While being put under pressure by the Commissioner Sanfelice, John is to reflect on the last three years of his life, dominated by a single and mad passion: wine.
Directing | Ferdinando Vicentini Orgnani | Director |
Writing | Fabio Marcotto | Screenplay |
Writing | Ferdinando Vicentini Orgnani | Screenplay |
Writing | Heidrun Schleef | Screenplay |
Sound | Paolo Fresu | Original Music Composer |
Camera | Dante Spinotti | Director of Photography |
Production | Sandro Frezza | Producer |
Production | Ferdinando Vicentini Orgnani | Producer |
Production | Evelina Manna | Producer |
Editing | Alessandro Heffler | Editor |
Sound | Paolo Fresu | Music |
Art | Massimo Santomarco | Production Design |
Art | Cristiana Scipioni | Set Decoration |
Costume & Make-Up | Alessandro Lai | Costume Design |
Costume & Make-Up | Franco Corridoni | Makeup Artist |
Production | Claudio Lullo | Production Manager |
Art | Giovambattista Delfino | Props |
Production | Guido Simonetti | Line Producer |
Crew | Tiberio Angeloni | Special Effects |
Visual Effects | Franco Galiano | Special Effects Supervisor |
Crew | Paolo Galiano | Special Effects |
Art | Massimo Bevacqua | Graphic Designer |
Visual Effects | Giuseppe Squillaci | Visual Effects Supervisor |
Editing | Ivan Tozzi | Digital Colorist |
Visual Effects | Chiara Trinchera | Digital Compositor |
Production | Chiara Coller | Casting |
Costume & Make-Up | Monica Gaetani | Assistant Costume Designer |
Costume & Make-Up | Claudia Santaniello | Set Costumer |
Production | Giorgio Santomaso | Location Manager |
Crew | Fernando Ghia | Thanks |
Writing | Fabio Marcotto | Book |
Editing | Giovanni Bivi | Colorist |
Editing | Daniele Colombera | Colorist |
Editing | Claudio M. Cutry | Supervising Editor |
Editing | Massimo Gubinelli | Colorist |
Editing | Emanuele Muscolino | Assistant Editor |
Editing | Kenny Vicent | Dailies Operator |
Sound | Francesco Tumminello | Recording Supervision |
Sound | Marco Zambrano | Boom Operator |
Sound | Dave Tinsley | Recording Supervision |
Sound | Lilio Rosato | Sound Designer |
Sound | Carlo Missidenti | Sound |
Sound | Mauro Eusepi | Foley Artist |
Production | Cristiana Emidi | Production Accountant |
Art | Elia Giordani | Runner Art Department |
Production | Antonella Parlato | Production Accountant |
Production | Ilaria Zazzaro | Production Coordinator |
Art | Walter Arrighetti | Lead Set Dresser |
Crew | Walter Arrighetti | Software Team Lead |
Directing | Valentina de Amicis | Second Assistant Director |
Directing | Riccardo Spinotti | Third Assistant Director |
Directing | Giovanni Vaccarelli | First Assistant Director |
Camera | Simone Cirillo | Second Assistant Camera |
Camera | Daniele Colombera | Digital Imaging Technician |
Camera | Domenico D'Andrea | First Assistant Camera |
Camera | Stefano Di Pasquali | Grip |
Camera | Leandro Sabin Paz | Assistant Camera |
Camera | Luciano Teolis | Camera Operator |
Camera | Luciano Teolis | First Assistant Camera |
Writing | Ferdinando Vicentini Orgnani | Writer |
Writing | Ferdinando Vicentini Orgnani | Story |