Private eye Edward Mercer travels to Venice to locate a man due a reward for his aid in the war. Shortly after arriving, he becomes the prime suspect in the murder of his local contact. In his quest to clear his name, Mercer uncovers a conspiracy. Even the local magistrate seems to be working against him, and Mercer begins to suspect the man he came to find is behind it all.
Directing | Ralph Thomas | Director |
Writing | Victor Canning | Novel |
Writing | Victor Canning | Screenplay |
Production | Betty E. Box | Producer |
Production | Earl St. John | Executive Producer |
Crew | Ernest Steward | Cinematography |
Editing | Gerald Thomas | Editor |
Art | George Provis | Art Direction |
Costume & Make-Up | Yvonne Caffin | Costume Design |
Directing | Jack N. Green | Third Assistant Director |
Costume & Make-Up | Ernest Gasser | Makeup Artist |
Costume & Make-Up | Stella Rivers | Hairstylist |
Production | Douglas Peirce | Production Manager |
Directing | Peter Bolton | Assistant Director |
Sound | John Dennis | Sound Recordist |
Sound | Gordon K. McCallum | Sound Mixer |
Sound | Peter Seabourne | Sound Editor |
Camera | H. A. R. Thomson | Camera Operator |
Camera | Cornel Lucas | Still Photographer |
Costume & Make-Up | Yvonne Caffin | Costume Supervisor |
Sound | Muir Mathieson | Conductor |
Directing | Tilly Day | Continuity |
Crew | Arthur Alcott | Production Controller |
Sound | Nino Rota | Original Music Composer |
Camera | Ernest Steward | Director of Photography |
Directing | Jim Ware | Second Assistant Director |
Art | Robert Cartwright | Draughtsman |
Art | Roy Dorman | Draughtsman |
Art | John Gow | Draughtsman |
Art | Iris Newell | Assistant Art Director |
Art | Roy Walker | Draughtsman |
Sound | Charles Squires | Assistant Sound Editor |
Camera | John Alcott | Clapper Loader |
Camera | Reginald H. Morris | Focus Puller |
Editing | Peter Boita | First Assistant Editor |
Production | Maurizio Lodi-Fè | Location Manager |
Production | Fanya Fisher | Production Secretary |