In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'.
You can now watch U-571 online on the following streaming providers in the United States.
| Editing | Wayne Wahrman | Editor |
| Production | Dino De Laurentiis | Producer |
| Sound | Richard Marvin | Original Music Composer |
| Directing | Jonathan Mostow | Director |
| Writing | Sam Montgomery | Screenplay |
| Writing | David Ayer | Screenplay |
| Production | Martha De Laurentiis | Producer |
| Camera | Oliver Wood | Director of Photography |
| Art | Götz Weidner | Production Design |
| Art | William Ladd Skinner | Production Design |
| Art | Cynthia Sleiter | Set Decoration |
| Art | Maria Teresa Barbasso | Art Direction |
| Art | Marco Trentini | Art Direction |
| Costume & Make-Up | April Ferry | Costume Design |
| Costume & Make-Up | Augusto Grassi | Costume Supervisor |
| Art | Robert Gould | Set Decoration |
| Art | Robert Woodruff | Art Direction |
| Production | Carol Lewis | Casting |
| Crew | Allen Hall | Special Effects Coordinator |
| Art | Antonio Fraulo | Property Master |
| Camera | Fabio Zamarion | Camera Operator |
| Crew | Shawn Broes | Visual Effects Editor |
| Visual Effects | Darin McCormick-Millett | Visual Effects Producer |
| Sound | Michele Perrone | ADR Editor |
| Editing | Karen Dimmig | Assistant Editor |
| Camera | Daniele Massaccesi | Camera Operator |
| Crew | Dana Kristen Vahle | Aerial Coordinator |
| Crew | Leontine Snell | Choreographer |
| Crew | David Sosalla | Digital Effects Supervisor |
| Crew | Tommy Dorsett | Visual Effects Editor |
| Visual Effects | Marc Banich | Special Effects Supervisor |
| Production | Sara Lewis | Casting Associate |
| Crew | Jon Baker | Armorer |
| Costume & Make-Up | Vincenzo Mastrantonio | Makeup Artist |
| Sound | Tim Gedemer | Sound Designer |
| Crew | Monica Amadori | Pilot |
| Costume & Make-Up | Luigi Rocchetti | Key Makeup Artist |
| Visual Effects | Erin M. Cullen | Roto Supervisor |
| Visual Effects | Peter Donen | Visual Effects Supervisor |
| Sound | Robert Troy | Dialogue Editor |
| Costume & Make-Up | Stefano De Nardis | Assistant Costume Designer |
| Visual Effects | Sandy DellaMarie | Visual Effects Coordinator |
| Visual Effects | Richard O. Helmer | Visual Effects Supervisor |
| Costume & Make-Up | Donna Berwick | Assistant Costume Designer |
| Costume & Make-Up | Giancarlo De Leonardis | Hairstylist |
| Costume & Make-Up | Mauro Tamagnini | Hairstylist |
| Visual Effects | Mark Freund | Visual Effects Supervisor |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Sandy Gendler | Sound Designer |
| Directing | Dianne Dreyer | Script Supervisor |
| Sound | Keith Bilderbeck | Sound Designer |
| Sound | Angelo Palazzo | Sound Effects Editor |
| Sound | Val Kuklowsky | Supervising ADR Editor |
| Camera | Gianmaria Majorana | Camera Operator |
| Costume & Make-Up | Paola Genovese | Hairstylist |
| Visual Effects | David Dwiggins | Visual Effects Producer |
| Sound | Edward M. Steidele | Foley |
| Art | Irene Mifsud-Bonnici | Art Department Coordinator |
| Lighting | Antonio Gasbarini | Gaffer |
| Costume & Make-Up | Vittorio Torrieri | Tailor |
| Crew | Ezio Canesso | Pilot |
| Visual Effects | Richard O. Helmer | Special Effects Supervisor |
| Sound | Donald Sylvester | Foley Editor |
| Camera | Vincenzo Carpineta | Camera Operator |
| Lighting | James B. Crawford | Gaffer |
| Camera | Rexford L. Metz | Second Unit Director of Photography |
| Costume & Make-Up | Maurizio Silvi | Makeup Artist |
| Sound | Jerry Trent | Foley |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Editing | Gordon Antell | First Assistant Editor |
| Art | Fernando Valento | Construction Coordinator |
| Costume & Make-Up | Claudio Manzi | Assistant Costume Designer |
| Crew | Lance Julian | Marine Coordinator |
| Crew | Lubo Hristov | Visual Effects Art Director |
| Sound | Frank Fleming | Sound Recordist |
| Costume & Make-Up | Frances Mathias | Hairstylist |
| Production | Gail Stevens | Casting |
| Camera | Mario Tursi | Still Photographer |
| Camera | Aldo Chessari | Underwater Camera |
| Camera | Michael T. Travers | Key Grip |
| Costume & Make-Up | Elisabetta De Leonardis | Hairstylist |
| Crew | Thomas J. Smith | Digital Effects Supervisor |
| Visual Effects | Thad Beier | Visual Effects Supervisor |
| Sound | Charles Maynes | Sound Effects Editor |
| Sound | Jon Johnson | Supervising Sound Editor |
| Art | Annick Biltresse | Art Department Coordinator |
| Lighting | David Farrugia | Lighting Technician |
| Costume & Make-Up | Renato Francola | Makeup Artist |
| Visual Effects | Henric Nieminen | Visual Effects Coordinator |
| Sound | Petra Bach | ADR Editor |
| Editing | Liberata Zocchi | Assistant Editor |
| Camera | Bruno Colanzi | Key Grip |
| Directing | Cheryl Starbuck | Script Supervisor |
| Visual Effects | Jamie Dixon | Lead Animator |
| Sound | Andrea Dallimonti | Boom Operator |
| Sound | Miguel Rivera | Foley Editor |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Production | Kate Dowd | Casting |
| Sound | Donald Banks | Boom Operator |
| Sound | Ivan Sharrock | Production Sound Mixer |
| Crew | Pat Romano | Stunts |
| Crew | Mark Norby | Stunt Double |
